Arthur Wing Pinero

Academy Award nominee and Tony Award-winner John Lithgow (Dirty Rotten Scoundrels, Shrek, 3rd Rock from the Sun) takes the title role in Arthur Wing Pinero’s uproarious Victorian farce, directed by Olivier Award-winner Timothy Sheader (Crazy for You and Into the Woods, Regent’s Park Open Air Theatre, London). In a similar vein to the National Theatre’s smash-hit classic comedies, She Stoops to Conquer and London Assurance, The Magistrate is sure to have audiences doubled up with laughter. When amiable magistrate Posket (John Lithgow) marries Agatha (Olivier Award-winner Nancy Carroll, After the Dance), little does he realise she’s dropped five years from her age – and her son’s. When her deception looks set to be revealed, it sparks a series of hilarious indignities and outrageous mishaps.

A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of loneliness than love. The romantic spirit of the cottage, however, overtakes them. They soon begin to look beautiful to each other, but no one else.

A theatrical troupe from the west end of London loses its leading lady (Rose Trelawny) when she goes off to marry a rich young man from the other side of town (Arthur Gower). The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.

A rich man's worship of his first wife ends when he learns their son is a bastard.

The Enchanted Cottage stars Richard Barthelmess as Oliver, a physically and emotionally wounded World War I veteran who comes home to a fiancée who promptly leaves him. Licking his wounds in solitude, he meets a young woman named Laura (May McAvoy). They fall in love and agree to marry, but unexpected and magical events occur inside The Enchanted Cottage where they have agreed to spend their wedding night.

The story has been adapted from the Sir Arthur Wing Pinero play. The title means nothing more than the mid-channel of married life, through a character in the feature likening the roughness of the English channel in the center of the trip across from London to Paris to the woes married folks meet in their wedded life.

A woman attempts to regain the love of her husband, who constantly compares her unfavorably to his first wife.

Having followed the road of romance through many countries, Lord Quex finally falls in love with Muriel Eden. After resisting Lord Quex because of his reputation, Muriel finally capitulates to his charms and agrees to marry him. In her heart, however, Muriel still treasures an affection for Caption Bastling, a fortune hunting womanizer, and when Muriel is told of Lord Quex's continuing contact with the Duchess of Dowager, a situation brought about through the scheming of the Duchess, Muriel turns to Bastling and agrees to meet him at her friend Sophie Fullgarney's manicurist shop.

A young woman is hired as a governess for the son of a man grieving the loss of his wife. The governess's presence is unwelcome to the rest of the family, especially after the governess develops a romantic attachment to her employer.

An actress cures an aged flirt by posing as his wife.