Kamel Abdeli

Salim comes to grieve beside his mother’s dead body. But very quickly, between religious customs he doesn’t understand and the constant comings and goings of people he doesn’t know, the young man feels uncomfortable in the small family apartment.

Three women, three generations, two secrets. In the early 1970s, a bomb exploded on board the Swissair flight 330 to Tel Aviv. Isabelle's husband also died. The young, very pregnant widow feared that her lover, the Palestinian activist Djibril, might be entangled in it ... Now, 47 years later, Isabelle finds out that her granddaughter Anaïs has converted to Islam. But why does the young student keep her new faith secret from the family? Anaïs's mother, Léa, immediately rings the alarm.

영혼을 부르는 능력을 지닌 미국인 자매가 교령회를 위해 파리에 왔다가 자신들의 이야기를 영화로 찍고 싶다는 제안을 받으며 벌어지는 신비로운 이야기를 그린 미스터리 판타지

In a surreal world, Lili, a 14-year-old albino, lives alone with her mother CLAUDIE (50) who over-protects her from the outside world. Obsessed with her own appearance; Claudie regularly replaces aging parts of her face, alone in her operating lab while Lili dreams of Lyesse, her 16 year-old handsome neighbor. Scared by so much love, Lyesse rejects Lili. Devastated, she decides to take his heart out to understand why he doesn't love her...

Four first short films by young filmmakers. An initiative by director Houda Benyamina, produced by her association "1000 visages" (1000 faces).

At the death of their father, Hassan and Djslil discover an old container in his house. It contains many memories: Old papers, news paper cuttings, and an old rock'n'roll album by a certain Slim the Man.

유부녀와 독신 남자가 만나 사랑하는 동안 개 한 마리가 여기저기 돌아다닌다. 여자의 가정은 풍비박산이 된다. 계절이 바뀐 후 이별했던 남녀는 재회하고 개는 그들과 함께 있다. 또 다른 영화가 시작되고, 이제부턴 인간의 존재보다 메타포들이 스크린을 지배한다. 개는 짖고 아기는 울음을 터뜨린다.

A hard-hitting French drama detailing the intersecting destinies of five characters whose lives cross over the current war in Iraq: three young French Arabs who each for a different reason joins a jihadi group to fight against the Americans; a 40-something French woman running an NGO in Baghdad at the outbreak of the war who gets kidnapped and held by the jihadi insurgents; and a mid-level French diplomat who uncovers the corruption of the UN Oil for Food program while gathering evidence to support the French effort to prevent the war.

This movie portrays three women living in today's Algeria between modern society and Islamic fundamentalism, self-determination and dependence. Goucem, a young woman who works for a photographer and mistress of a rich doctor, her mother Papicha, a former cabaret star, and her best friend Fifi, a prostitute, all live in a hotel in the city center of Algiers. Their difficult personal situation and the growing influence of Islam lead to dramatic consequences...

Since he first saw Christina, his grandmother’s nurse, Ildutt has set out on a desperate and pointless quest to become normal. Since returning from a fishing trip in Scotland that sent him off the deep end, Ildutt has hidden out in the highlands in a crazy state. Now he wants to get well. He’s prepared to do anything to win Christina over. He’ll start seeing his psychiatrist again and clean up his act. But he’s also ready to follow a weird guru’s teachings that risk turning his world upside down again. Sometimes Christina seems real, sometimes she seems like something out of a fairy story and sometimes she’s like a ghost. She intermittently reappears in Ildutt’s life, and slowly becomes more real to him. Ildutt is no longer lost in the cosmos; he’s firmly on earth, beside the slopes of the Lorient river. He has a cousin, a grandmother, a few friends, an old Mercedes convertible – and a bass guitar that he’ll eventually start playing again.

In a French prison, three men are coming to terms with the emotional and physical torment which their incarceration brings them. Arnaud is serving a six-month sentence for drug smuggling; he protests his innocence and will do anything to secure an early release. Francky is a hardened criminal who has all but lost his wife and family and who seeks comfort in self-inflicted abuse. Kader is in prison for theft; he is the most philosophical of the three men, he is growing accustomed to prison life and seems to prefer it to the world outside.