Juli Mira

Samuel is an old hippie musician who settled in Formentera in the 1970s, when King Crimson and other British rock bands frequented the island. There he lives austerely, in a ramshackle house without electric light or unnecessary luxuries, and plays the banjo in a friends' club. Until one day, after many years, he receives the unexpected visit of his daughter Anna and his grandson Marc. Anna, unemployed for some time, says she has had to accept a job in France and is forced to leave her little son on the island with grandfather Samuel.

When a psychic fishmonger foresees Amadeo's death, his fellow villagers rally to give him the best final seven days for which one could ask.

In this Spanish comedy-drama, a man befriends his wife's lover in an attempt to understand what has happened to their marriage and win her back.

Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.

Silvia (Cuca Escribano) is local police in a village close to a luxury development. She lives with her husband, her young daughter and brother Camilo, with Down syndrome. One day a girl disappears from a nomadic village that had settled around the village. Everything seems to point to Camilo as guilty. Shortly afterwards disappears again another girl the same age. Unexpectedly, Camilo is accidentally hit by a car and dies. Convinced of the innocence of his deceased brother, Silvia not stop until you find the real culprit of the crimes.

Blanca confesses to her aunt Barbara she met the man of her live and he disappeared. By chance in a charming old couples house for sale, they find his picture. It's their son and he's dead. Mad Blanca and Barbara began a crazy investigation in a city underconstruction. An insecure actress, a secretery with ESP and a husband who's fed up with all the madness, will help them unravel these knot marked by humor and intrigue.

산 아래 마을에서 벌어지는 살인과 실종 그리고 살인을 파헤치는 소년의 이야기. 외로운 소년 산티는 그의 어머니와 함께 한적한 마을로 이사한다. 그러나 마을에서는 계속해서 이상한 일들이 일어나고, 산티는 곧 용의자로 지목된다. 결백을 입증하기 위해서 그는 숲에 숨겨진 무시무시한 비밀을 밝혀내야만 한다.

This film evokes Valencia illegal gaming back in the seventies. A young peasant -Ferran- plays cards not much to make a living but as a distraction of his daily routine. Ferran meets a larger-than-life character -el chino- who happens to play cards for a living. This other guy is depicted as a Toni Manero look alike but his charisma an arrogance lead the innocent Ferran to join him in his schemes to make money to end up betting all on the next card table. At some point the action moves to Madrid and Ferran steps down losing track of El chino who takes on more dangerous games making a living out of Russian Roulette until the round gets loaded. Based on real events this is no Hollywood epic but it captures the desperation of the characters very effectively.

Spain, the era of dictator Franco. Two female teachers are in love, but in those years and in that regime the love is not only forbidden but also a crime. To avoid their child been in prison, the parents of the one teacher, force her to be confined in a clinic for mental diseases, where she is heavily abused, the main treatment been electroshocks. After Franco's fall, and the change of things, she is free to return to her home, under the surveillance of her mother. Her father, more compassionate, helps her escape and find her lover. But the years of been under electroshocks have damaged her health, and make it impossible to live a normal life.

Virtu and Ramon have tried to get children for a long time without success and Virtu begins to get tired of all the gynecological tests she is forced to go through. Finally, when it turns out that Ramon is sterile, Virtu suggests that they adopt, but Ramon wants a son of his own flesh and blood. As if the situation was not strained enough, Ramon's father appears after several years in prison and once again wants to become part of Ramon's life.

Daniel, an ex-convict, tries to get back at his corrupt father-in-law by kidnapping his own son and hiding him in an abandoned town where they are producing American westerns. Daniel will have to face a vile father-in-law, an ex-wife that stalks him, as well as a falling actor in order to carry out his vengeful plan.

Childhood friends reunite later in life in Spanish tuberculosis sanitorium. Pressures of death all around combine with dark secrets of their past.

Miranda, a sex addict, works for a radio station and is married to a cop. She signs up for therapy in order to deal with her sex addiction. Also in the group is Javier, a sex-phone junkie. The two misfits hit it off and a torid affair ensues. But things get a little complicated when Javier finds out that his phone sex trysts have been secretly taped and being distributed all over Madrid and that his ex-wife is living with his business partner. Elsewhere, while investigating a murder case, Felix discovers Miranda's affair with Javier.

Two students are arrested for painting revolutionary graffiti on the university walls. They escape from the camp and flee with two American girls, disguised as rich young men who are showing Spain to two tourists.

The story of an odd family in which two uncles, apparently bachelors, play the role of mother and father for their two orphan nephews in the Valencia of the 1960s and 70s.

Héctor is a lonely and sullen man who lives in the isolated mountains of Els Plans (Alicante, Spain). One day, a strange character begins to haunt his house and Héctor ends up locking himself in it, obsessed with the idea of ​​his father's resurrection.

The action takes place in the XIV century, in times of the reconquest, in Levantine lands. Father Vicente is a chaste monk who fights against all kinds of vices and sins, against superstition and against the beliefs of Muslims and Jews. Carles Mira's first feature film was inspired by the great amount of popular imagery that has provoked the supposed miracles of San Vicente Ferrer. The repertoire includes anecdotes of grotesque and eschatological character with an eminently esperpéntica will.