Nausicaa Bonnín

They are in their thirties but live just as they did in their twenties. They are in love with love but, in their search, they tear each other apart, wandering from ex-girlfriend to ex-girlfriend, from relationship to relationship.

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.

When the Vichy authorities close the Elna Maternity Hospital, which welcomes pregnant women from the concentration camps, its director, Elisabeth, and Victoria, will sacrifice themselves to save it. Television film written by Margarita Melgar and directed by Sílvia Quer (' 'Velvet' ', (' 'Gran Hotel' '), set in northern Catalonia during the summer of 1942. The film is based on real events and narrates the prowess of Elisabeth Eidenbenz, founder of Elna's Maternity, which along with her collaborators restored dignity to pregnant women in the Argelers and Ribesaltes internment camps in Vichy France Motherhood welcomed hundreds of women and saved 597 babies from certain death.

인적이 드문 시골길 위에 피를 흘려며 나타난 소년 빅터(마크 도메넥). 소년은 곧 병원으로 보내지지만 경찰의 질문에 아무런 대답도 하지 않는다. 소년의 엄마는 비밀 기업을 대변해온 유명 변호사 패트리샤(블랑카 포르틸로)로, 그녀는 아들에게 청각 장애가 있다고 밝힌다. 빅터는 듣거나 말하지는 못하지만 수화가 가능하기에 학교에서 어떤 낯선 남자에게 납치를 당한 사실을 얘기한다. 경찰은 임신한 아내가 있고 돈 때문에 어려움을 겪고 있는 찰리라는 남자를 용의자로 지목한다. 하지만 경찰이 증거 부족으로 찰리를 체포하지 못하자 조바심이 생긴 패트리샤는 전 남편 라울(호세 코로나도)에게 그를 위협해 자백을 유도하려 한다. 그러나 빅터가 찰리를 잘못 알아보았다는 사실이 드러나면서 일이 점점 꼬이기 시작하는데...

"When she saw her, she immediately hated everything that wasn't her."

A group of movie professionals go into a studio to, over a single day, read / test/ count / live the story of 'The Silly Ones and The Stupid Ones'. Sitting around a table and following the directions of the director, the actors show us the evolution of the creating process and how the characters through the trials, indications, lighting or props, that at first were just a story captured on a script becomes a film, in cinema, the great optical illusion, the visual lies that allows us to enjoy the stories we see on the screen.

Three Days with the Family deals with the relationship between three brothers and one sister, and with their wives and children, whose father has just died. They don't see each other often, and their different opinions about common problems soon become a problem itself.

This film evokes Valencia illegal gaming back in the seventies. A young peasant -Ferran- plays cards not much to make a living but as a distraction of his daily routine. Ferran meets a larger-than-life character -el chino- who happens to play cards for a living. This other guy is depicted as a Toni Manero look alike but his charisma an arrogance lead the innocent Ferran to join him in his schemes to make money to end up betting all on the next card table. At some point the action moves to Madrid and Ferran steps down losing track of El chino who takes on more dangerous games making a living out of Russian Roulette until the round gets loaded. Based on real events this is no Hollywood epic but it captures the desperation of the characters very effectively.

The night Celia unsuccessfully attempts suicide, a teenage girl (Melany) is raped and murdered nearby. Miguel Ángel, the police officer in charge of finding the perpetrator of the crime, digs around Celia and her closest circle, including her two sisters (Carmen and Ángela) and her husband Agustín. While the cop suspects about the girl's boyfriend (Pedro), Celia suspects about her husband.