Patrice LeBlanc

n the Jam Jar is an invitation to the intimacy of 81-year-old Joan’s final days, whose musings silently echo with Dan’s, her 50-year-old son. This fiction short-movie is a dive into death and grief, a tribute to maternal love comprised of nail clippings, aquarelle, strawberry jam and a ghost radar.

Louise works as a human resources advisor. She operates in a tense work environment in which power dynamics take many forms. Trying to manage a conflict between the interests of the company and those of the employees, Louise will be confronted with various means of pressure oscillating between contempt and violence. Her choice will have serious repercussions.

As the world learns to live again in the midst of the pandemic, for many Arabic-speaking LGBTQ+ people living in Montreal, this is just a period of time like any other. When you’ve fled homophobic violence in your home country and endured a painful migratory journey, or you still face social prejudices stemming from intercultural and intergenerational conflicts, surviving social isolation is nothing new.

Abandoned by her mother in a group home of the DPJ, Émilie (13) tries to flee her new reality. Influenced by the people she meets on her getaway, her ray of hope lies in learning a musical instrument.

A supernatural force takes over a trio's vacation.

In the early 2000s, following her return from a long stay abroad, Amélie invites her friends, Maude and Pascale, to a cottage. In a disturbing and isolated forest, Amélie tries to reconnect with her friend Maude, while the rivalry between her and Pascale takes a dark turn.

Vicky lives in a house surrounded by snow with other people with intellectual diversity. She only wants to go ice fishing, but her caretaker is very strict with her and the others.

A young quebecer descends into alienation and depression.

Montreal, one night. Joseph, a solitary and taciturn taxi driver, is involved in a disturbing incident with a cyclist after agreeing to replace a colleague.

They left the south because they were all out of other options. This is their last chance. And here in Iqaluit, far to the north, they have found solitude, potential redemption, and, most unexpectedly, a place that’s not easy to leave. Claude, Ramy, Patrick, Michel and Chaïd are now taxi drivers, endlessly cruising the ring road, the dozen-kilometre highway that holds all their hopes, dreams and fears. Beautifully photographed by Donat Chabot, this unique film by Sophie Fortier is deeply melancholic and affecting.