Den Obinata

When a young woman is named as the prime suspect in a murder, her girlfriend and her girlfriend's boyfriend set out to prove her innocence. Their investigation leads them to an isolated, creepy house in the middle of nowhere, where sinister goings-on abound.

The investigative unit of the Metropolitan Police Department organized a special investigative team to uncover a series of frequent gang robberies and car gangs... This is the first film in the Nippon G-Men series, of which four more films were later released.

부모가 정한 인담을 싫어, 오사카를 나와 도쿄에서 회사 근무를 하고 있는 카와키타구미의 오조지·코로쿠. 어느 때 그는 상경해 온 허수아·란코를 도망쳐 하숙처를 옮겨, 거기서 만난 테루코와 사랑에 빠진다. 하지만 카와키타조는 파산 위기에 있어서 란코와의 결혼은 놓칠 수 없는 것이 되었다.

A newly hired daily newspaper writer covering the society beat receives an assignment to cover Tokyo at night by walking and observing it. He gets into the right frame of mind by dressing the part as a vagrant with not a penny to his name. He gets into trouble ending up at the police station slammer overnight. He has no material to write about and, with his assignment unfulfilled, faces a cross editor.

What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.

This movie is presumed to be lost.

The film was produced during Second Sino-Japanese War, before the Pearl Harbor Attack in 1941. The film mainly concerns the training of newly-recruited pilots and their daily life, then their subsequent fighting experiences in China. Army supported the production, providing all the authentic airplanes, training and actual actions. They even provided the older biplanes disguised as Chinese fighter planes. Obinata plays the trainer-turned-combat-leader, who is passionate and cool at the same time. All his boys love him, of course. The film is not as intense, full of sugar-coated camaraderie, until young pilots are killed in action one by one. Last twenty minutes are fairly grim, as the message of self-sacrifice is heard loud and clear.

Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.

Part two of two.

Part one of two.

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

The Whole Family Works, Mikio Naruse's adaptation of a Sunao Tokunaga novel, feels more of a piece with the writer/director's quietly observant and psychologically charged later work. For the Naruse-familiar, it is an anomaly only in its placement within his filmography—indeed, this could be a film made by the elder, stasis-minded Naruse momentarily inhabiting, through a metaphysical twist of fate, his stylistically exuberant younger self. Set in depression-era Japan around the time of the Sino-Japanese War (which the director evokes, during a brief dream sequence, by dissolving between children's war games and actual adult warfare), The Whole Family Works gently observes a family coming apart at the seams. Ishimura (Musei Tokugawa) is the jobless father of nine children.

Venice Film Festival 1939

This is the only surviving "Mito Komon Manyu-ki" film. This release also known as Adrift Tour Memoir is an 80-minute compilation of the first and second parts (147 minutes), which were re-edited and screened at a time when presentable films were dried up immediately after the defeat of the war.

Based on an original story by Yojiro Ishizaka, this well-made drama is set in a Christian school in a beautiful northern harbor town. Teacher Masaki (Obinata) speaks up for Keiko, one of the girls at the school, every time she causes problems because he feels sorry for her, a child born out of wedlock. Sumi (Natsukawa), one of Masaki’s colleagues and who is secretly in love with him, strongly disagrees with him about Keiko. Then Sumi hears a rumor that Keiko is pregnant with Masaki's child . . . .

A Japanese comedy from the end of the silent era (it has music) from a popular series. A feud, a practical joke and romance are the set up for some great comedy and drama from a team of distinctive appearance who are exploiting their silent cinema styles to the full.

Living Things a film by Heinosuke Gosho

Keitaro is a law student and Yaeko s a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.

The film tells of the strained relationship between a mother and her two sons after the death of the family patriarch.

Two Tokyo co-workers come across a destitute young lady in search of a place to live.

Kenji and Chuko travel to Hokkaido as migrant workers and enlist as miners under the strict leadership of Guzuyasu. On the boat journey to Hokkaido, Kenji attracts Ohama, who is travelling to Hokkaido to open a bar. When Kenji visits the bar, he chases away a sailor who was hassling a shy girl, Ofuji, which makes Ohama jealous.

"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.

An early Japanese sound film, notable for being the only Japanese film ever to use the Western Electric Sound System. Contrary to most Western sources that give sole directing credit to Eizo Tanaka, it was actually co-directed by six different directors, Tanaka, Kazue Kimura, Kazuo Takimura, Ryoji Mikami and Hidekuni Ouchi.