Music
A generative cinematic exploration of sonically activated hydrological events
Production Design
Hannah is only six years old but her mom calls her a big girl. Sometimes big girls don't go to school. Sometimes they have to tell the truth and other times they should tell lies. Being a big girl means Hannah has to do things even when she doesn't want to.
Sound Designer
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
Original Music Composer
Are we prepared for dealing with the prospect that humanity is not the end of evolution? Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human limitations. The director conducts his enquiry into the scientific, ethical and metaphysical dimensions of technological development.
Himself
Nor Noise is the first norwegian documentary about noise music. Movie Maker Tom Hovinbøle has from the start in 2001 interviewed a number of artists in the noise genre. The artists relay their thoughts on the phenomenon of noise music - what is it, where does it come from, what is the trade off when replacing traditional harmony and melody for pure audio experience, which possibilities can be explored? The movie explains the historical context of the genre, from the movement of Futurism and Luigi Russolo from before WWI to electronic experiments in the fifties, avantgarde in the sixties, industry and punk in the seventies to the final establishment of the noise genre at the end of the seventies in Japan. Adding to the flavour are concert performances.
Sound
