Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
Jolana (18) is an object of her step-father's desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself working in a brothel. Her inability to cope raise a question: What is it she actually wants? Are her dreams of escaping really better than the reality she finds herself in?
Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.
Czechoslovakia, 1941. As the war continues, Reich Protector Reinhard Heydrich arrives in Nazi-occupied Prague and establishes a regime of terror that will force freedom fighters to act. But the price to pay will be too high.
Mom didn't ask me anything. She just took granny in. Now she lays in the middle of my room. And I have to take care of her. All the time. Winner of the Cinéfondation student section of the Cannes IFF.
