Producer
Dakota Smith is an experienced policeman with a problem: his partner was shot dead, and corrupt cops are responsible. Dak's investigation leads him to widespread corruption in the department, as well as a corrupt district attorney. Smith finds an unlikely ally in timid photographer Nick Gleem. While Gleem unearths clues about the bad guys, Dak fends off attacks on his own life. While he's not in gun battles with these local villains, divorced father Dak has no shortage of lady friends to keep him happy.
Executive Producer
A group of kids on a field trip in western rural America accidentally discover the bodies of two murdered children. Who they are is a mystery. Corrupt reporter Cindie arrives in town and bribes bar owner Julie into spilling her life story. As the night unfolds, Julie reveals her history of deception, adultery and events kept secret that may hold the key to the fate of the murdered children.
Producer
The Puzzle in the Air
Producer
An African elephant wanders into the lives of four wide-eyed children and all pandemonium breaks loose.
Producer
A space freighter that has gone adrift suddenly catapults into an alternate universe.
Screenplay
A space freighter that has gone adrift suddenly catapults into an alternate universe.
Director
A space freighter that has gone adrift suddenly catapults into an alternate universe.
Sound Effects
인간이 되고 싶어하는 만화 세계의 섹시걸 홀리(킴 베이싱어)는 교통 사고를 당해 만화 세계로 건너온 해리스(브래드 피트)에게 접근한다. 하지만 해리스가 전혀 관심을 보이지 않자 그녀는 쿨 월드의 만화 작가 잭(가브리엘 번)에게 접근한다. 잭은 홀리의 섹시함에 반해 사랑을 나눈다. 잭과 사랑을 나눈 후 인간이 된 홀리는 여러 남자들한테 교태를 부리던 중 만화세계로 돌아가려고 하는 자신의 모습을 발견하고 당황한다. 홀리는 빌딩 옥상에서 만화세계 주인공이 인간세계를 드나들 수 있는 유일한 기구인 스파이크가 빛나고 있는 것을 발견하고 옥상 위로 올라간다. 한편 해리스는 인간이 된 홀리를 만화세계로 잡아오기 위해 인간 세계로 내려온다. 해리스는 홀리를 잡기 위해 옥상에서 줄다리기를 하다가 그만 홀리의 잔꾀에 속아 밑으로 떨어진다.
Director
A stomach churning potpourri of explosions, gunfire and army trucks ramming through grass and twig huts. The needle in a haystack plot seems to involve our protagonist rescuing his family from some South American drug cartel, or something. At one point Carradine yells those immortal words: "get the hell out of here" through closed lips. The villain of the piece never utters a line of dialogue, preferring instead to stalk about in a cape, squinting cannily beneath beret and drooping mustache (with hawk perched on shoulder for added effect). Avoid at all costs, unless you enjoy beating yourself repeatedly over the head with a flail.
