Anna Sasnal

출생 : 1973-10-30, Tarnów, Malopolskie, Poland

참여 작품

We Haven’t Lost Our Way
Writer
The life of a woman and a man at a crossroads - in two separate stories that perhaps have something in common. Ewa is an English teacher and translator, but she is hired as a caregiver for an elderly lady, whom she is to entertain with reading and conversation. Eryk works at a university, but is more interested in helping those in need rather than in literature, which - just like his quick temper - causes him a lot of problems. They both have difficult personalities and feel that they don’t get as much from life as they deserve. There could be more points of contact - a shared past or future?
We Haven’t Lost Our Way
Director
The life of a woman and a man at a crossroads - in two separate stories that perhaps have something in common. Ewa is an English teacher and translator, but she is hired as a caregiver for an elderly lady, whom she is to entertain with reading and conversation. Eryk works at a university, but is more interested in helping those in need rather than in literature, which - just like his quick temper - causes him a lot of problems. They both have difficult personalities and feel that they don’t get as much from life as they deserve. There could be more points of contact - a shared past or future?
The Sun, the Sun Blinded Me
Director
Inspired by Albert Camus’ The Stranger, The Sun, the Sun Blinded Me follows Rafał Mularz, a stranger in his own society who creates a daily routine and a lifestyle that protects him from the outside world. His method seems to work fine until he is confronted with another stranger. A man thrown out by the sea, an immigrant. Rafał has to make a decision: Will he confront this society unfit for strangers and take responsibility for this man? Or will he choose to continue to protect himself?
Parasite
Director
Huba (Parasite) is a film about an ailing old man and a young mother. After retiring from the factory, the man, deprived of his daily routine, loses control over his time. Unable to eat or sleep, he starts drying up. The mother and child are like a single organism. Yet their relationship is, for all its closeness, one of dependence and inequality. The child, whose attachment to life is the strongest, is ravenous and needy; the woman, though enjoying a brief moment of freedom, is doomed to be a victim, while the old man has nothing to keep him going now that he can no longer work at the factory. When the three of them try to have a life together, they are like the Holy Family reversed. Brought together by chance, their lives intertwine in a web of oppression. The film follows their daily existence and slow decline.
It Looks Pretty from a Distance
Director
Unfolding in a secluded Polish village 'Z daleka widok jest piekny' (It looks pretty from a distance) is a love story between a scrapper and a young woman. Seen through the monotony of everyday life the film depicts the hardships of a rural community in present-day Poland. The bucolic landscape becomes the seemingly idyllic backdrop from which a sudden disappearance disrupts their once quiet community.
It Looks Pretty from a Distance
Writer
Unfolding in a secluded Polish village 'Z daleka widok jest piekny' (It looks pretty from a distance) is a love story between a scrapper and a young woman. Seen through the monotony of everyday life the film depicts the hardships of a rural community in present-day Poland. The bucolic landscape becomes the seemingly idyllic backdrop from which a sudden disappearance disrupts their once quiet community.