Mahdi Fleifel

45th Parallel focuses on the Haskell Free Library and Opera House—a unique municipal site between the jurisdictions of Canada and the United States. Constructed in 1904 under the patronage of the local Haskell family, this building was deliberately designed to straddle the frontier between Canada and the US as a symbolic act of unity in the transnational town of Stanstead. The performance about one border conflict is set on the site of a grey legal area and looks at how each border implicates the other, and how borders are not lines but, rather, richly layered spaces.

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

‘나’는 어제 팔레스타인 예술가들로부터 청원서를 하나 받고 갈등한다. 록 밴드 라디오헤드 보컬에게 텔아비브에서 예정된 공연을 취소해달라는 내용의 청원이었기 때문이다. 고민 끝에 청원서에 서명을 한 이후로 잠이 오지 않던 ‘나’는 친구에게 전화를 걸어 서명을 하지 말았어야 했는지 묻는다. (2020년 제24회 서울인권영화제)

‘나’는 어제 팔레스타인 예술가들로부터 청원서를 하나 받고 갈등한다. 록 밴드 라디오헤드 보컬에게 텔아비브에서 예정된 공연을 취소해달라는 내용의 청원이었기 때문이다. 고민 끝에 청원서에 서명을 한 이후로 잠이 오지 않던 ‘나’는 친구에게 전화를 걸어 서명을 하지 말았어야 했는지 묻는다. (2020년 제24회 서울인권영화제)

‘나’는 어제 팔레스타인 예술가들로부터 청원서를 하나 받고 갈등한다. 록 밴드 라디오헤드 보컬에게 텔아비브에서 예정된 공연을 취소해달라는 내용의 청원이었기 때문이다. 고민 끝에 청원서에 서명을 한 이후로 잠이 오지 않던 ‘나’는 친구에게 전화를 걸어 서명을 하지 말았어야 했는지 묻는다. (2020년 제24회 서울인권영화제)

‘나’는 어제 팔레스타인 예술가들로부터 청원서를 하나 받고 갈등한다. 록 밴드 라디오헤드 보컬에게 텔아비브에서 예정된 공연을 취소해달라는 내용의 청원이었기 때문이다. 고민 끝에 청원서에 서명을 한 이후로 잠이 오지 않던 ‘나’는 친구에게 전화를 걸어 서명을 하지 말았어야 했는지 묻는다. (2020년 제24회 서울인권영화제)

Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.

Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.

Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.

“A dream came to me from who knows where having slept as two I awake as one / the other wasn’t there”. Two young men on a blind date start their journey outside the city. Unknowingly they become a part of maze of a pilgrimage of sadhus. They look around, they observe, they smile, they doubt, they whisper. They are lost, they are found. Two young men stroll curiously around the Kumbh Mela, a huge religious festival involving millions of Hindus. They are wearing modern clothing, which makes them stand out among the pilgrims, most of whom are in traditional dress. Kumbh Mela, which takes place every three years at one of the four major Hindu sites (Haridwar, Allahabad, Ujjain and Nasik), is seen as the biggest pilgrimage in the world, bringing the many faces of Hinduism together. There are naked sadhus smeared in ash, rich gurus collecting donations, musicians and other performers, and simple pilgrims washing away their sins by ritual bathing in the river.

Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.

Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.

Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.

Reda is 26 years old. His dreams of escaping the Palestinian refugee camp of Ain El-Helweh ended in failure after three years trapped in Greece. He returned with a heroin addiction to life in a camp being torn apart by internal strife and the encroachment of war from Syria. Against all odds, he decides to marry his childhood sweetheart; a love story, bittersweet as the camp itself.

In 2010, Abu Eyad and other young Palestinian men from the Ain el-Helweh refugee camp in Lebanon travelled with smugglers through Syria and Turkey into Greece. Like so many other migrants, they came looking for a way into Europe but found themselves trapped in a country undergoing economic, political, and social collapse.

An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

How long after a breakup can you bare to see your ex with someone new? Especially if that someone is a bald Italian.

How long after a breakup can you bare to see your ex with someone new? Especially if that someone is a bald Italian.

Short comedy about a Palestinian in love.

Short comedy about a Palestinian in love.