Ewa Braun

In this adaptation of an historical play by Pope John Paul II, painter Albert Chmielowski decides to devote his life to helping the homeless.

During the Nazi era, a Jewish woman on the run takes a trolley which passes near the Warsaw ghetto, where the uprising battle is taking place, and some passengers are struck by stray bullets. They take temporary refuge in an empty building, and there she has a chance meeting with her ex-fiancé. He offers to put her up--that is, hide her--for a few days. He's now married, a professional who lives in an idyllic suburb reached by a trolley that runs through the woods. His wife seems more committed to putting up the fugitive than he is. The story involves the neighbors, the building owner who avoids involvement and seeks solace in classic poetry, and the super and his suspicious wife.

Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.

An Uruguayan diplomat brings his new wife with him on a business trip to Poland in the summer immediately preceding the outbreak of World War II.

Ewa decides to end her romance with Alek. From the mountain guesthouse they go by car to Warsaw. . . Kim, after being released early from prison, returns to his wife, Jola, who lives in a lonely house. Here he finds a man who claims he has been hired for hard work. Kim wants to find out if Mietek is not Jola's lover.

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.

A television short by director and actor Stanisław Latałło.

A television short by director and actor Stanisław Latałło.

The film is set toward the beginning of World War II, at a psychiatric hospital in the country. But this is an unusual hospital: there are several incurable schizophrenic cases, staff is bit strange and a writer has voluntarily entered the clinic because he is "peculiar" and a drug addict. Then, the occupying forces arrive...

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect. Film based on real events - investigation and court trials of the most famous pre-war Polish murder case. Despite being historically accurate the movie is both involving and entertaining since the case was simple on the surface, but very complicated in details.

Set in the early 1930s, a young man finds a job as a dishwasher in a hotel and quickly works his way up the ladder. Loosely based on the novel by Henryk Worcell.

작은 도시의 젊은 교사가 수학여행 학생들을 인솔하고 바르샤바에 오는데, 자신을 떠나 새로운 삶을 시작하기 위해 바르샤바로 온 아내를 어떤 지하도에서 만난다. 혼자 남겨진 남편 – 젊은 교사 – 은 아내와 재결합하여 아내와 함께 지냈던 과거를 다시 되살릴 기회로 생각하지만, 불행히도 아내는 그에게 다시 돌아오고 싶어 하지 않는다. 그녀는 이미 냉소주의와 감정이 메마른 대도시의 생활에 익숙해져 이미 돌이킬 수 없게 선을 넘은 상태였기 때문이다.

1930년대 폴란드, 부유한 기업가인 비드마르는 아내 레베카와 그녀를 수술해준 의사의 사이를 의심하며 사람을 고용해 그녀의 뒤를 밟게 한다. 비드마르는 그녀를 여전히 사랑하면서도 불신의 늪에서 고통받는다. 폴란드의 작가이자 극작가인 미하우 초로민스키가 쓴 1933년의 동명 베스트셀러 소설을 원작으로 한 작품.

A biology professor, Adam, after several dizzy spells, enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.