Producer
After an accident, Ana needs some metal prosthetics in one of her forearms. During her winter vacation, she notices something strange—as though her arm were an antenna, she begins to receive messages in morse code. This happens every day, but the frequency is different. With a little help from her friends, the young woman spends her days trying to decipher the enigmatic code coming from her body. Is it a song? A call from unthought-of places? Is it a game? Or a simple problem with the prosthetics? As she did in her short films, Ingrid Pokropek relies on fiction to tackle the shortcomings of early adolescence and pay tribute to Buenos Aires City’s geography. In Los tonos mayores, the fantastic barges in little by little, with the same conviction Ana enters the adventure of her life.
Executive Producer
호세 마누엘을 비롯한 UFO 협회의 열성 멤버들은 매주 모임을 갖고 외계인의 메시지와 납치에 관한 정보를 공유한다. 한편, 스페인에서는 몇 주 전 어린 여자아이가 실종된 사건에 관한 조사가 진행되고 있다.
Editor
In 1778, a group of genoese merchants settled in Tabarca island. 250 years later, a filmmaker wants to discover the secrets of the posidonia, the longest living being on the planet, but a pandemic turns over the documentary, all inhabitants have disappeared, and the posidonia too.
Cinematography
In 1778, a group of genoese merchants settled in Tabarca island. 250 years later, a filmmaker wants to discover the secrets of the posidonia, the longest living being on the planet, but a pandemic turns over the documentary, all inhabitants have disappeared, and the posidonia too.
Screenplay
In 1778, a group of genoese merchants settled in Tabarca island. 250 years later, a filmmaker wants to discover the secrets of the posidonia, the longest living being on the planet, but a pandemic turns over the documentary, all inhabitants have disappeared, and the posidonia too.
Director
In 1778, a group of genoese merchants settled in Tabarca island. 250 years later, a filmmaker wants to discover the secrets of the posidonia, the longest living being on the planet, but a pandemic turns over the documentary, all inhabitants have disappeared, and the posidonia too.
Writer
Vicente and Elena spend Sunday at their country house on the outside of Alicante. Vicente has bought a new canary because a cat that roams the area ate one of his canaries. Elena does not like birds in cages, but they are Vicente’s favorite pastime and they keep him company. Now they have to teach the new canary to sing.
Director
Vicente and Elena spend Sunday at their country house on the outside of Alicante. Vicente has bought a new canary because a cat that roams the area ate one of his canaries. Elena does not like birds in cages, but they are Vicente’s favorite pastime and they keep him company. Now they have to teach the new canary to sing.
Writer
Director
Executive Producer
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)
Sound Recordist
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)
Editor
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)
Writer
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)
Director of Photography
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)
Director
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)
Writer
Director
Executive Producer
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.
Editor
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.
Writer
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.
Sound Recordist
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.
Director of Photography
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.
Director
The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.
Screenplay
'The Walker' is Mateo, a civil engineer with a plan: walking each and every one of the streets of New York.
Director
'The Walker' is Mateo, a civil engineer with a plan: walking each and every one of the streets of New York.
Writer
Director
Director
In Erati (Mozambique) is carried out since 2005 Erati Saude Program, focused on the development of the health network. It involves three Spanish NGO, together with the Ministry of Health of Mozambique, and with funding from the Generalitat Valenciana. In Erati live the protagonists of these three stories: The caneta, The capulana Madalena and glass eye. Three stories inspired by real characters and spaces. They are actually one story: the story of the meeting of two worlds in the struggle for life.
Co-Writer
El Eternauta's wife is Elsa Sánchez, widow of Héctor Germán Oesterheld, writer of “El Eternauta” (1957), the masterpiece of the Argentinian comic; a woman whose family was taken away by the military dictatorship. A vital and close chronicle of the struggle for survival in the midst of horror and a testimony in which pain and love for life go hand in hand.
Director
El Eternauta's wife is Elsa Sánchez, widow of Héctor Germán Oesterheld, writer of “El Eternauta” (1957), the masterpiece of the Argentinian comic; a woman whose family was taken away by the military dictatorship. A vital and close chronicle of the struggle for survival in the midst of horror and a testimony in which pain and love for life go hand in hand.
Cinematography
Producer
Director
Director
The story of Bruno, a rough, heavy man overly fond of drinking. His only desire is to be a normal person, but fate would have it otherwise. One day he wakens to find that his hands are starting to bleed, marking the start of a journey of redemption through suffering, pain and death. From now on he'll have to live with his new stigmata.
Writer
Being 6 years old, and having to live with your grandmother who is 75 years and has very old fashioned ideas, is not easy to say the least. That the situation leads to rebellion only seems logic....
Director
Being 6 years old, and having to live with your grandmother who is 75 years and has very old fashioned ideas, is not easy to say the least. That the situation leads to rebellion only seems logic....
