Gerhard Rühm

참여 작품

Wienfilm 1896-1976
Self
This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer
Fleeing No More
Music
One of the more important European avant-garde films of the post-war period, this feature-length work offered a devastating comment on the mid-century European mood. A macabre landscape of impotence and absurdity, peopled by ambiguous travellers, finally explodes into senseless violence.