Shen Ko-Shang

A young photographer wanders through the city as Taiwan is preparing for the presidential election. Constantly questioning his talent as an artist, he suffers from the uncertainty facing his future as he is about to turn 30 - a watershed age in one's life according to traditional Taiwanese culture. His accidental encounter with an ex-girlfriend propels him to reconsider his past, present and future in the river of time.

Seven years. Eight married couples. They are open and honest, reflecting on why they married each other in the first place, why they have lost the passion, and why they are tired of the other person's problems with the mother-in-law; they talk about sex, having children, and the fact that they can't stand each other any longer...

I rarely see or speak to my own father. Old images, which have an independent, fictional time, intimately occupy my and my father’s consciousness or memories. After nearly 30 years of this frozen relationship, I look forward to using film to document this ‘time’, which becomes a concrete and direct journey when it radiates through a world filled with real emotions.

Caring for an autistic adult can be seen as an act of faith. It is unpredictable. A regular interaction can lead to a violent lashing-out. However, due to its lack of exposition and its pure form of observation, the film captures something even more profound: life as a collection of failure, pain, and tragedy as felt by its protagonist, Chen Hung-tung, a father who cares with extraordinary patience for his autistic son Li-fu.

I-Ling is a young professional moving to another country for work. Saying goodbye to friends is hard, but it is hardest going back to family for a goodbye. The past is shocking, the future is uncertain. Among the coming and going she is suspended by a thin thread of identity.

Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.

Following the success of The Long Goodbye, the Taiwan Catholic Foundation of Alzheimer’s Disease and Related Dementia has embarked on a second documentary film dealing with the plight of elderly people suffering from conditions like Alzheimer’s and other degenerative disorders resulting in memory loss. When Yesterday Comes takes the route of a compendium of four shorts by different directors.

대만 건국 100주년을 맞이해 금마장영화제가 허우샤오시엔, 웨이더솅 등 현재 가장 뛰어난 대만 감독 20명에게 자유롭게 대만의 독특한 정체성에 대한 5분짜리 영화를 만들어달라고 주문했다. 다양성과 결속감이 어우러진 영감을 주는 작품.

A triptych reinterpreting Shakespeare's classic character Juliet. The three stories are directed by 3 different directors; Juliet's Choice (By Hou Chi Jan), Two Juliets (By Shen Ko Shang), and Another Juliet (By Chen Yu Hsun) Juliet's Choice : In the 70's, Ju worked in a printing store where a boy with a banned article changes her life. Two Juliets : Mei is told that in the 80's, a woman faked insanity to be locked up just to wait for her lover. Another Juliet : In 2010, "Juliet" tries to commit suicide but a TV commercial crew gets in the way.....

A professional hand model Ching suffers from post-natal depression and her architect husband Hsuing is unable to deal with it, driving their marriage to the brink of collapse.

At the end of 1999. A photographer enters a mountain to film a group of followers that run away from the real. She is held by a man and finds that the man has some connection to the followers.

At the end of 1999. A photographer enters a mountain to film a group of followers that run away from the real. She is held by a man and finds that the man has some connection to the followers.

At the end of 1999. A photographer enters a mountain to film a group of followers that run away from the real. She is held by a man and finds that the man has some connection to the followers.