S. Pierre Yameogo

After a young boy dies of meningitis, Napoko Diarrha (Yaméogo) is accused of eating his soul because of a local sexist tradition. While this happens, her husband feels disgraced that Diarrha resists the idea of marrying off their daughter, so he exactes his revenge by spreading a dangerous rumor that would probably get her killed. Because of this, Diarrha's fate falls into the village elder's hands. When she finds out she will go trial, she decides to flee to the nearest town, Ouagadougou, before that can take place. After successfully leaving her village, Diarrha's age causes her health to decline, while her daughter grows up. Some time later, her daughter decides to travel to Ouagadougou, in search of her missing mother. Once they are reconnected, they attempt to escape from their male-dominated society.

After a young boy dies of meningitis, Napoko Diarrha (Yaméogo) is accused of eating his soul because of a local sexist tradition. While this happens, her husband feels disgraced that Diarrha resists the idea of marrying off their daughter, so he exactes his revenge by spreading a dangerous rumor that would probably get her killed. Because of this, Diarrha's fate falls into the village elder's hands. When she finds out she will go trial, she decides to flee to the nearest town, Ouagadougou, before that can take place. After successfully leaving her village, Diarrha's age causes her health to decline, while her daughter grows up. Some time later, her daughter decides to travel to Ouagadougou, in search of her missing mother. Once they are reconnected, they attempt to escape from their male-dominated society.

An African student stranded in Paris after losing his government grant discovers a bag of drugs and money while working as a parking garage attendant.

An African student stranded in Paris after losing his government grant discovers a bag of drugs and money while working as a parking garage attendant.

Comedy directed by S. Pierre Yameogo.

It is an ordinary afternoon for young Mabo Keïta, at home, in Burkina Faso (West Africa). While his parents are taking a nap, he reads a schoolbook on the front porch when a stranger - an elderly man carrying his own hammock - appears for an unexpected visit. It turns out that the old man is a griot, a West African musician/entertainer whose performances include tribal histories and genealogies. The position of a griot is a time-honored one and passed down from father to son for many generations.

When Cecile (Sylvie Yameogo), an unwed mother-to-be, refuses to identify the father of her child, she is thrown out of her parents' home and eventually leaves her baby in a field, where another family finds him and takes him home. Michel (Alassane Dakissaga), the head of the household, reluctantly assumes responsibility for the baby after going to the police, the local priest and the traditional village chief, each of whom advises him to seek the counsel of another authority.

When Cecile (Sylvie Yameogo), an unwed mother-to-be, refuses to identify the father of her child, she is thrown out of her parents' home and eventually leaves her baby in a field, where another family finds him and takes him home. Michel (Alassane Dakissaga), the head of the household, reluctantly assumes responsibility for the baby after going to the police, the local priest and the traditional village chief, each of whom advises him to seek the counsel of another authority.

After obtaining their Secondary School diplomas, some young people plan to continue their education but are not sure which area to choose.

After obtaining their Secondary School diplomas, some young people plan to continue their education but are not sure which area to choose.

Nongma, a ten-year-old girl, goes to join her grandmother in a remote village. An official offers to send Nongma's grandmother to school, but she must go to the city. Through the journey of Nongma and her grandmother, "Dunia" raises the problems of women in Burkina Faso, torn between tradition and modernity.