Writer
Romero, a retired fisherman and a forgotten hero by the community, lives isolated in his home, surrounded by ghosts of the life he couldn't have, spirits that materialize before him as his real family. Alcoholic and schizophrenic, surviving on a daily basis. But deep down he feels the time has come to regain what he lost several decades ago, when he brought the oil curse to his own island, the lush Ciudad del Carmen. At the same time at the mysterious Estero Pargo, the goddess Ixchel has been reborn and seeks to mate with humans in order to continue the cycle of life.
Screenplay
빵빵한 사운드를 갈망하던 펑크 밴드가 다운증후군을 앓지만 천재성이 엿보이는 키보드 주자 페페를 영입한다. 하지만 페페가 팬심을 독차지하면서 갈등이 고조된다.
Screenplay
Sorry about his premature retirement from professional tennis and failing to live up to his father´s most important dream, Enrique longs for the forgiveness.
Screenplay
González lives in a dilapidated room in Mexico City, a lost soul in
one of the world’s biggest metropolises. Desperate to be someone
in life—and to pay off his debts—he embarks on a journey into the
increasingly magnetic world of big-box Christianity. Religion seems
to offer a quick path to becoming rich and soon González is willing
to do anything in his power in order to make it happen. A thriller that
evokes the gritty style of Martin Scorsese’s Taxi Driver, Gonzalez:
The False Prophet is a suspenseful ride through the darker side of
charismatic preachers and upstart religions that flourish on the hardearned
money of desperate people in need of hope.
Screenplay
Tonatiuh and Maria experience a passionate and turbulent relationship. One night, in the heat of an argument, they suffer a dramatic automobile accident. Tonatiuh is left in a coma, where he sees Alicia, his nurse, including her in his dreams about Maria. Time later, Alicia has an accident and suffers amnesia while Tonatiuh wakes up. One year later, Tonatiuh and Alicia meet and an impossible love arouses from oblivion, haunted by the ghost of Maria's memories.
Screenplay
Tracking an old man (with a truly Bela Tarr-like persistence) through the streets and bars, and porn cinemas, and taco-joints, of Mexico City on what might be the pensioner's last day on Earth, Critic/curator-turned-film-director Lipkes has crafted an undeniably challenging but beautifully realised vision of modern loneliness.
Writer
Luisa, a 25-year-old woman addicted to chiva (heroin), travels to a beach in the coastal State of Veracruz with the idea of quitting the drug once she gets there. Luisa eventually grows ties with the locals and in particular with Salomon, a 65-years-old peasant in whom she thinks to have found the aid she needs to fulfill her goal.
