In 1951, New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Mary is jealous, but unconventional Lota is determined to have both women at all costs. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet.
Ana is going through psychological problems. She and lifelong friend Cléia decide to revisit the place they spent their childhood together in an attempt to get better results in her treatment. But they meet a stranger who will upset their plans.
From Friday night 'til Sunday morning, the doors of a new world open inside a nightclub in the South Zone of Rio de Janeiro. We watch the emotions and conflicts experienced by a series of characters, who find on the dance floor the ideal stage to represent the tragedy of their lives.
Filmmaker José Mojica Marins travels to spend Christmas with friends in a small farm, where they spend leisure time while Mojica writes the story for his next film. However, he observes eerie things in the house, with his friends being possessed one by one by some supernatural evil force.
