Colin Low

The horrors of war, the art of producing pictures, the autobiography of a master filmmaker and the parallels between the mass production of weapons and violent media images--all come together in Moving Pictures, a rich, multi-layered documentary. Over the course of a 50-year career, Colin Low has directed or produced 200 films, and has garnered a remarkable nine Oscar nominations. During the same period, he has collected images of war--etchings and woodcuts, including extremely detailed miniatures. But the images that have so fascinated and haunted Low are nearly impossible to accurately capture on film. So Low shot Moving Pictures in 35 mm and developed techniques--used here for the first time--to show the fine lines of stamps and the microscopic details of tiny copperplate etchings with startling clarity

Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

Pete Standing Alone is a Blood Indian who, as a young man, was more at home in the White man's culture than his own. Confronted with the realization that his children knew very little about their origins, he became determined to pass down to them the customs and traditions of his ancestors. This film is the powerful biographical study of a 25-year span in Pete's life, from his early days as an oil-rig roughneck, rodeo rider and cowboy, to the present as an Indian concerned with preserving his tribe's spiritual heritage in the face of an energy-oriented industrial age.

In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.

A tense, tight close-up of stunt man Ken Carter's role on the stock-car racing track. Risking life and limb to rocket a car from a ramp over a parked line of cars takes more than the will to make a living. What else is involved is shown by the film as the camera looks and listens while the stunt man readies for his act and then makes his wild ride.

Easter service takes place in the Russian Orthodox church of St. Peter and St. Paul in Montréal. The depth of emotion touched by this ancient ceremony is reflected in the film. Filmed in the shadowy, taper-lit space, sonorous with chanting voices, and coloured with occasional views of the icons and frescos, the film shows an absorbing religious experience.

This short film studies the works of one of Canada's greatest contemporary etchers - Newfoundland-born David Blackwood. The artist himself guides viewers through a step-by-step explanation of the etching process. Scenes of his hometown, examples of his own work and vivid tales of an old mariner recall the tragic seal hunts and a way of life that has now vanished.

This documentary records the extraordinary determination of Jungle Jim Hunter to be the best ski racer in the world. We witness his grueling exercise routines, pre-race tensions, trials and deep religious faith of this dedicated athlete.

This is a short film about the Alberta All Girls Band Spectacular. The Edmonton-based band was invited to open the 1974 World Cup Soccer Championship at the Munich Olympic Stadium. They performed before a combined live and television audience of over half a billion people. The precise marching formations and fine musicianship are impressive.

NFB short documentary

Lumsden, Saskatchewan is a town of 850 citizens on a river called the Qu'Appelle. In the spring of 1974, the river doubled its volume and threatened to flood the town. The townspeople organized themselves and the whole province stood behind them. Lumsden is the story of an incredible battle against impossible odds.

This feature documentary follows one of the greatest Canadian baseball players of all time, Ferguson Jenkins, through the 1972-1973 season. From the hope and innocence of spring training to the dog days of an August slump, the camera gets up close and personal at the home plate and records the intimate chatter on the mound, in the dugout and in the locker room. It provides a glimpse into the rewards and pressures of sports stardom and the easy camaraderie of the quintessential summer sport.

This adventure film features Scott McVay, an authority on whales, and filmmaker Bill Mason. The objective was to film the bowhead, a magnificent inhabitant of the cold Arctic seas brought to the edge of extinction by overfishing. With helicopter and Inuit guide, aqualungs and underwater cameras, the expedition searches out and meets the bowhead and beluga.

This documentary explores a variety of projects undertaken by scientists at Environment Canada's Freshwater Institute in Winnipeg to study the processes that pollute or disrupt clean and balanced freshwater environments.

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

The amazing success story of the Laser, a thirteen-foot sailboat built by Ian Bruce of Pointe Claire, Québec, and of Performance Sailcraft, the company he formed to produce and market it. Simply designed, durably built of fiberglass, it is a pleasure craft that has brought summer sailing within everyone's reach on coastal and inland waters around the world.

This short documentary profiles a community engaged in developing sustainable living methods, including food production and small-scale solar and wind technology, on a farm in Massachusetts in the 1970s. Well before sustainability was a mainstream concern, these prescient innovators attempted to create a vision of a greener, kinder world. "Think small," say the New Alchemists. "Look what thinking big has done."

This feature-length documentary from 1974 takes viewers inside Fidel Castro's Cuba. A movie-making threesome hope that Fidel himself will star in their film. The unusual crew consists of former Newfoundland premier Joseph Smallwood, radio and TV owner Geoff Stirling and NFB film director Michael Rubbo. What happens while the crew awaits its star shows a good deal of the new Cuba, and also of the three Canadians who chose to film the island. (NFB)

The film documents Bill Reid's own trip home to visit his parents in Sarnia, Ontario, and the family's conversations about the communication difficulties and generational differences in values that have complicated their familial relationship.

"Fogo is a windswept island off the coast of Newfoundland where the inhabitants for generations have lived by, on and from the sea. In this film William Wells, fisherman, and his two sons take a day off from the nets for a journey to the gannet colony on the Funk Islands, fifty miles farther out to sea. There are exceptional close-up views of enormous flocks of seabirds swarming on the cliffs and in the sky."

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

The magic island of Fogo, seen from the eyes of the kids and the reason why its inhabitants will never leave it.

The Fogo Island Improvement Committee discusses the building of a speaking platform for the anticipated visit of the Newfoundland premier.

William Wells defends the viability of Fogo Island and expresses his apprehension about the exodus of young people.

By using film as a catalyst for change, the people of Fogo Island, Newfoundland, voice some of their daily concerns. This film shows how one of the Islanders built a longliner (a fishing boat using long lines) with the help of his friends, overcoming the problems of financing and the lack of tools and government support.

Two women discuss the roles and problems of women, education, and shopping on Fogo Island.

In this short film, we witness two Fogo Island festivities: a Roman Catholic wedding in Joe Batts Arm South and a party with music and dancing in Joe Batts Arm North.

A rollicking Newfoundland party on Fogo Island.

This short documentary features Newfoundland fisherman Billy Crane, who speaks frankly on the state of the inshore fishery and how the lack of government support has contributed to the industry’s downfall. He is being forced to leave home to seek employment in Toronto. This film was made with the Challenge for Change program.

A look at the Hutterites, an Anabaptist religious community similar to the Amish or the Mennonites in rural Alberta.

An experimental film from Arthur Lipsett, Free Fall is an assortment of film trimmings assembled to make a wry comment on humankind in today’s world. It evokes a surrealist dream of our fall from grace into banality. (NFB.ca)

"21-87 is a 1963 Canadian abstract film created by Arthur Lipsett that lasts 9 minutes and 33 seconds. The short film, produced by the National Film Board of Canada, is a collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he was employed as an animator), combined with his own black and white 16mm footage which he shot on the streets of Montreal and New York City, among other locations."

A selection of publicity clips mounted together in one film to show the techniques of NFB animators. As in Hors-d'oeuvre, these "quickie" films were produced originally for government agencies, to carry messages to the public.

A neurotic man relates his unsuccessful attempt to open a simple savings account at a bank.

Rousing tales of the North-West Mounted Police are brought to life through photos and artists' sketches. In 1873, the North-West Mounted Police were established to maintain law and order in the North-West Territories. They undertook a trek from Fort Dufferin, south of Winnipeg, to Fort Whoop-up, near present-day Lethbridge, Alberta. The force raised the flag and proclaimed the Queen's Law, ensuring that the Canadian West would not become a lawless, American-style frontier.

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

A young man of the Kainai Nation (Blood tribe) shows us contemporary life of people as he attends a Sun Dance ceremony with the tribe.

A young man of the Kainai Nation (Blood tribe) shows us contemporary life of people as he attends a Sun Dance ceremony with the tribe.

A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources of inspiration used by Stanley Kubrick for his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way, into galaxies yet unfathomed.

A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources of inspiration used by Stanley Kubrick for his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way, into galaxies yet unfathomed.

A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources of inspiration used by Stanley Kubrick for his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way, into galaxies yet unfathomed.

A collection of one-minute cartoons produced by the National Film Board of Canada animators for government sponsors. Showcasing a playful selection of animation techniques, the clips include reminders about t4levision programs, traffic safety rules, and admonition from the Department of Labour.

This Colin Low documentary from 1959 depicts Venice in all its splendor. In the tradition of Venetian painter Canaletto, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky. Narration by William Shatner.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

This classic short film depicts the Klondike gold rush at its peak, when would-be prospectors struggled through harsh conditions to reach the fabled gold fields over 3000 km north of civilization. Using a collection of still photographs, the film juxtaposes the Dawson City at the height of the gold rush with its bustling taverns and dance halls with the more tranquil Dawson City of the present.

This classic short film depicts the Klondike gold rush at its peak, when would-be prospectors struggled through harsh conditions to reach the fabled gold fields over 3000 km north of civilization. Using a collection of still photographs, the film juxtaposes the Dawson City at the height of the gold rush with its bustling taverns and dance halls with the more tranquil Dawson City of the present.

A description of placer gold mining in the Yukon. East of Dawson City giant dredges cut deep into the creek beds, leaving behind monstrous coils of waste as the gold-bearing gravel is washed. The film shows how gold is trapped and hand-sorted, finally to emerge as precious gold brick.

This short film depicts Canada as it was a hundred years ago, as seen through the paintings of artist and adventurer Cornelius Krieghoff. The changing seasons, the Quebec countryside, village life — all were an unending inspiration to Krieghoff.

This short film depicts Canada as it was a hundred years ago, as seen through the paintings of artist and adventurer Cornelius Krieghoff. The changing seasons, the Quebec countryside, village life — all were an unending inspiration to Krieghoff.

Colourful animation depicts the formation, through geological ages, by fire and water, wind and ice, of the Earth's crust which holds our wealth of minerals, oil, coal, arable land, and even our water power.

This short puppet animation from the fifties tells the story of Magic Bow, a First Nations boy endowed with magic gifts. Magic Bow is in the big city for the first time, thrilling audiences with his tricks at the Wild West Rodeo. Outside the arena, cars, trucks and buses zip by at dizzying speeds. With the help of some savvy city dwellers, Magic Bow learns a few important traffic rules to help him navigate the streets safely.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

This film provides a brief history of the fur trade in Canada, showing its effects on exploration and settlement. Engravings and paintings from the periods represented convey the romance, the adventures and the hardships of traders, Indigenous People and coureurs des bois. Animated maps indicate the old fur trade routes.

A humorous survey of the history of the development of transportation technology in Canada.

This first cel-animated film produced by the NFB traces the development of the master/worker relationships through successive eras of history. Stone engravings record a complete absence of cooperation between the Egyptian ruler and his slaves but, beginning with the Greeks and Romans, there was a gradual change towards recognition of the labourer. With the growth of factories, the trend received a setback, but reasserted itself through the expediencies of World War II, which saw the formation of the first Labour Management Production Committee (LMPC) in Britain. In post-war Canada the film shows LMPCs well implanted in industrial life, with the Industrial Production Cooperation Board giving official government recognition.

Colourful puppets illustrate the old French song about Cadet Rousselle, who falls down a ladder, who trips on battlements, and whose dogs will not obey him. The animated figures carry our hero through his predicaments with colour and verve.

With no commentary other than the music and words of the performers themselves, this fast-moving film presents the grandest Canadian concert of them all. Here, the performers include both the great and the unknown from across the country, the musical styles span the centuries, and the artists are involved in all stages of musicianship: learning, teaching, conducting, recording, performing. Among the film's many stars are Edith Butler, Beau Dommage, Maureen Forrester, Glenn Gould, Paul Horn, the Huggett Family, and Gilles Vigneault.

This short film presents Mr. Bate, an inventor who discovers a substitute for gasoline in barnyard manure. Even though he fits the classic mould of single-minded know-how and practical dreamer, his discovery is tried and tested. He demonstrates how his home-made digester does turn manure into potent methane gas that powers his auto. And for good measure, he demonstrates his latest sustainable invention – a bicycle powered by the bumps on the road.

A discussion of the problems and efficacy of a fishermen's cooperative.

A look at the relationships among the Fogo Island merchants and fishermen, and at the demoralizing effects welfare has on them.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. In this film, some of the problems discussed are the lack of fish and the inability to market any species but cod.

A discussion about the effects of welfare on Fogo Island residents.

Individuals who have moved away from Fogo Island express their opinions on the life and problems of the Island.

Joe Kinsella talks about the problem of young people leaving Fogo Island after they finish their education.

Through the use of film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. This film looks at the success of the longliner and the problems encountered in obtaining and running it.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns and thoughts about the future. Some of the problems discussed are the fishermen's unions, the fish plant, able-bodied men on welfare, the problems of education, and the issue of the consolidation of schools.

The story of how one Fogo Island family managed to raise an old passenger boat from where it had been sitting for four years, and to renovate it for use as a fishing boat, despite lack of capital and government aid.

A discussion on the methods of fishing, marketing, organization and welfare in Norway, with reference to the situation on Fogo Island.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their concerns. This film discusses efforts to obtain provincial support for the United Maritimes Fisheries Co-op to run the Seldom fish plant, and comments on the subsequent decision by the Newfoundland government in favour of the Yellow Fish Company.

By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their daily concerns. In this film, Islander Chris Cobb sings his own songs and recites his poems about the old days and the recent changes on Fogo.

This short documentary offers a panorama of ancient cities, palaces and temples whose splendor has awed mankind. The film moves from one tradition to another, illustrating how each reflects the sentiments and values of its time, from the massive temples of the pharaohs to the soaring skyscrapers of today.

This short documentary pays tribute to the craftsmen everywhere whose work adds color and richness to life. Filmed in the Canadian Arctic, Finland, India, Nigeria, Japan, Mexico, and Poland, it shows the special skills of artisans working at their crafts - stone sculpture, pottery, ceramics, weaving, dyeing, puppet making, embroidery. Each indigenous skill is a reflection of the culture of the country.

In two half-hour parts, The Living Machine explores the progress made in electronics technology and looks forward to an exciting world-to-be. Produced in 1962, the first part demonstrates the capacities of a computer's "artificial intelligence," far exceeding that of any one human brain. The second part shows experiments in electronically duplicating some sensory perceptions.

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

A retrospective look at Fogo Island, Newfoundland, four years after the original Newfoundland Project series was made. This is an assessment of the value of the programs initiated, and an illustration of what film can do to help spark new life in a fading community.

Ex-fisherman Billy Crane in Brampton, Ontario, at an industrial job with regular hours. Here he tells why he left Fogo Island and says he has no regrets. (See also Billy Crane Moves Away.)

Millions of years scroll by in 10 minutes, illustrated by ingenious designers: this is the geological history of Canada.

The Mercer family discusses the pressures that force the young people to leave Fogo Island and their families.

part of the Challenge for Change program