Ivo Niederle

Samuel stands on the edge of a hotel roof in the rain and, before he jumps into the street below, he tries to summon up in his mind an image of his homeland.

싸이렌이 온 거리를 울려 퍼지며 요란한 추격씬이 벌어지는 도중 한 녀석이 콜벳를 몰고 다리를 돌진, 200미터 높이에서 자동차 번지를 시도한다. 짜릿한 곡예를 선보인 후 낙하산을 펴고 유유히 사라지는 녀석의 이름은 '젠더 케이지'. 인터넷에 생방송된 이 장면은 전세계 네티즌들에게 열렬한 환호를 받는다. 또 한 번의 멋진 프로젝트로 영웅 대접을 받는 젠더 케이지. 그러나 파티가 무르익을 무렵, 갑자기 들이닥친 특수부대는 그에게 신경 안정제를 쏜 후 잠들게 한다. 깨어난 곳은 알 수 없는 레스토랑. 어리둥절한 그 곳은 갑자기 강도들의 침입장으로 돌변하고, 단숨에 상황을 정리해버린 그에게 기븐스가 축하 인사를 전한다. 미국 비밀첩보국 NSA의 1차 테스트를 통과한 것. 이후 또 다시 잠에서 깨어난 곳은 비행기 안. 2번째 테스트로 콜럼비아 마약 밀매상의 아지트에 던져진 젠더 케이지. 때마침 콜럼비아 정부와 마약상들의 충돌로 아수라장이 된 그곳에서 살아남기 위한 치열한 전쟁이 펼쳐지는데... 상황종료 후 유유히 나타난 기븐스는 NSA의 테스트를 유일하게 통과한 그에게 비밀요원이 되어줄 것을 부탁한다. 단 그렇지 않을 경우는 감옥행뿐이라는 단서를 둔다. 젠더 케이지의 코드명은 트리플 X. 첫번째 임무지는 비밀요원의 무덤이라는 별칭을 가지고 있는 도시 프라하. 이제 얼떨결에 비밀요원이 되어버린 트리플 X의 위험한 여정이 시작되는데.

While recuperating in a sanatorium in the mountains, a young boy becomes very close friends with an older baron. But the baron is only using the boy to get to know his mother, the wife of an older diplomat. When the boy realises the baron’s intentions, he becomes jealous, moody and depressed.

Pan Tau, the friend of all children, now also helps the adults. A movie producer is in trouble and decides to shoot another Pan-Tau movie. But the old Pan-Tau actor Karasek is no longer young enough to walk the almost weightless walk of Pan Tau. Mr. Novak turns up - he resembles Pan Tau like a twin brother. He succeeds every pirouette. And as if by magic, he solves all the problems between people! Who is Mr. Novak? Is he really ...?

오랜 기간 늑대 인간을 연구해온 스테판(Stefan Crosscoe: 크리스토퍼 리 분)는 그 흉칙한 동물들이 곧 인간들을 지배할 것이라고 주장하지만 아무도 그의 말을 믿지 않는다. 밴의 여동생 카렌(Karen: 하나 루드비코바 분)의 장례식이 거행되는 날 관 속에 있던 카렌은 늑대의 모습으로 변해가고, 이것을 목격한 스테판은 그녀의 가슴에 은침을 박아 늑대인간의 소생을 막으려고 한다. 한편, 젊은 여자의 정기를 빼앗은 늑대 인간의 우두머리는 터질듯한 싱싱한 육체로 인간사냥을 시작하고, 늑대의 소굴에서는 광란의 성유희가 일어난다

During the First World War, the crooks Scholef and Krumka sell weapons on the black market. After the collapse of the monarchy they try their hand at speculation on a grand scale.

Honza and Zuzana are very young husband and wife. They have a little daughter of whom willingly occasionally take care the grandparents and Honza's fifteen-year-old brother Martin. Zuzana continues studying and Honza devotes all weekends as an amateur competitor to the motor-cycles at the speedway. Zuzana is not interested in motor-cycles. Martin holds responsible for his brother's marriage and at the advice of his friend Magda, who is of the same age, invites her sister-in-law to the club of Hucul horses so that she does not feel bored. But by misfortunes and unexplained quarrels both young husband and wife start being jealous of one another.

1974 Czechoslovak drama film directed by Karel Steklý.

It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found. Russian revolution encouraged also Czech workers to fight for their rights. Radical anarchists are followed by Legenda's friend Karel Wohryzek (Vladimír Mensík) who was forced to collaborate with the police as he was convicted of pornography distribution.

The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.

Kastl is a hairdresser but his real passion is his second job as football referee. This job takes all his free time and makes his wife very nervous.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

The exemplary accountant Antonín Safránek lives his orderly life as a citizen of a small town. His wife Eliska brings up their three children and desperately tries to get by on her husband's low salary every month. At the same time, she sadly watches the luxurious life of their neighbor and other people like him who have no qualms about improving their standard of living by cheating. One day, the infallible Safránek makes a mistake in the cash clearance and there are nine one-hundred Crown bills left in the safe. An unexpected company control carried out the next day passes without problems and the account is closed. The temptation is too strong. The insufficient control enables Safránek to gradually steal one million Crowns.

2차 대전 말, 빈으로 가기 위해 숲 속에서 마차로 헤매는 한 체코 여인과 두 오스트리아인 독일군 병사의 이야기

Farmers get away from their arguments by embarking on a religious pilgrimage, enjoy a picnic en route, and on their return decide to form a cooperative.

The Trap (Czech: Past) is a 1950 Czech drama film directed by Martin Frič. It was entered into the 1951 Cannes Film Festival.