Mareike Wegener

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.

After returning from a police mission in Afghanistan, Chief Inspector Harder is set to investigate a bog body found in a village called Friedland. The confrontation with Friedland's brutal history brings a grave guilt from Harder's own past to the surface and forces her to face the echo.

X is a cinematic ritual aimed at appeasing the ancestral spirits of the industrial workforce. The film is inspired by the lives of the filmmaker’s father and grandfather, who also play the lead roles.

What is money? What are debts? What are the consequences of both? And how can images be found for them? In Oeconomia, Carmen Losmann undertakes a journey in the strategic heartlands of neoliberal policy.

Since the dawn of time, the inhabitants of the Alps have used their own language to overcome the distance imposed by the mountainous orography. Riafn is a sort of dialect based on the different forms used by the shepherds and farmers of this area to call their beasts. The inhabitants of the mountains have thus cadenced their day-to-day life on calls to animals, the mooing of the cows, songs and the echo of the mountain. A sort of Alpine orchestra that helped them to cope with isolation.

Since the dawn of time, the inhabitants of the Alps have used their own language to overcome the distance imposed by the mountainous orography. Riafn is a sort of dialect based on the different forms used by the shepherds and farmers of this area to call their beasts. The inhabitants of the mountains have thus cadenced their day-to-day life on calls to animals, the mooing of the cows, songs and the echo of the mountain. A sort of Alpine orchestra that helped them to cope with isolation.

Since the dawn of time, the inhabitants of the Alps have used their own language to overcome the distance imposed by the mountainous orography. Riafn is a sort of dialect based on the different forms used by the shepherds and farmers of this area to call their beasts. The inhabitants of the mountains have thus cadenced their day-to-day life on calls to animals, the mooing of the cows, songs and the echo of the mountain. A sort of Alpine orchestra that helped them to cope with isolation.

In the light of the current transformations within the global power structure, I WANT TO SEE THE MANAGER traces the linkage of economic ascent and decline in seven paradigmatic episodes. India, Bolivia, China, USA, Italy, Thailand, Venezuela - each place contains fragments of another; each episode bears testament to the hopes and fears of its protagonists. By juxtaposing these local experiences in the face of global economy, the film questions the notion of rise and decay.

A film about the American artist Mark Lombardi who created graphic artwork laying out the powers and opaque network of the global elites from the economic and finance sectors, as well as terrorists; and whose masterpieces crossed wires with the FBI after the attacks on September 11th. Lombardi had hung himself one year earlier in his New York studio. Who was this Mark Lombardi, a man whose work was so explosive that even terrorist hunters were using it as research? The film portrays an incredibly brilliant artist who took on the social function of a watchdog by using public information and arranging it to expose the grand illegal practices in the globalized world.

A film about the American artist Mark Lombardi who created graphic artwork laying out the powers and opaque network of the global elites from the economic and finance sectors, as well as terrorists; and whose masterpieces crossed wires with the FBI after the attacks on September 11th. Lombardi had hung himself one year earlier in his New York studio. Who was this Mark Lombardi, a man whose work was so explosive that even terrorist hunters were using it as research? The film portrays an incredibly brilliant artist who took on the social function of a watchdog by using public information and arranging it to expose the grand illegal practices in the globalized world.

At night, a convoy of tractor crawlers rattle through the snow to groom the ski slopes. Just under 3000 metres in altitude, excavators dig into the ground using dynamite to build a reservoir for the preparation of artificial snow. Concrete blocks of apartments are springing up everywhere, while elsewhere in the mountains, young people have long since moved away and old people talk about how their hometown no longer has a future. Too many regions in the Alps have become dependent on hopelessly commercialized skiing. In PEAK, Hannes Lang observes the invasion and hostile takeover of the Alps by ski tourism and introduces us to the people affected: winners and losers, enthusiasts, sceptics and lost souls.