Mi-sen Wu

참여 작품

很久沒有敬我了妳
Director
Diva Viva
Director
Once upon the time on a small island named Taiwan, a neighborhood magistrate receives a secret message from space. 'The apocalypse is near...' the magistrate warns his people, however nobody seems to take his words seriously...
Amour-Legende
Director
Oshima wakes up in the middle of a desert in South America with no memory. A woman named Coco is lying beside him. Coco tells Oshima that he was originally planning on crossing the desert with his girlfriend May to get to Snow Mountain, but May suddenly disappeared, leaving him at bay. Coco helped him out by chance, and now they're heading to Snow Mountain together.Perhaps May is already there...
Revolution N. 9
Director
An experimental short film from Mi-sen Wu.
Drop Me a Cat
Editor
It's the year 1999, Hei-shu, a long-term unemployed man, finally gets a job in a local musical band, performing at funerals and weddings. One day, Hei-shu's cat is missing. He later suspects that the cat has turned into a woman.
Drop Me a Cat
Writer
It's the year 1999, Hei-shu, a long-term unemployed man, finally gets a job in a local musical band, performing at funerals and weddings. One day, Hei-shu's cat is missing. He later suspects that the cat has turned into a woman.
Drop Me a Cat
Director
It's the year 1999, Hei-shu, a long-term unemployed man, finally gets a job in a local musical band, performing at funerals and weddings. One day, Hei-shu's cat is missing. He later suspects that the cat has turned into a woman.
A Garden in the Sky
Editor
Fluffy Rhapsody
Writer
The film follows the meandering misadventures of an aimless medical school graduate who has never kept a job and wanders from the bed of one girl to another. He becomes caught between his flight attendant girlfriend who is often away and a high school girl who claims to be a lesbian. A mixture of fast living and brooding melancholy, Fluffy Rhapsody is an engaging, photogenic essay on the current generation of seemingly thoughtless, but in fact overly introspective urban youth.
Fluffy Rhapsody
Director
The film follows the meandering misadventures of an aimless medical school graduate who has never kept a job and wanders from the bed of one girl to another. He becomes caught between his flight attendant girlfriend who is often away and a high school girl who claims to be a lesbian. A mixture of fast living and brooding melancholy, Fluffy Rhapsody is an engaging, photogenic essay on the current generation of seemingly thoughtless, but in fact overly introspective urban youth.
Go-raku-en
Director
"We make memories in the journey and look for the evaporative emotions in the blurry memories. Facing the illusion of exotic language, GO-RAKU-EN deconstructs the estranged and complicated feelings of lovers and tries to reflect the essence of loneliness. Eventually, the reality of the sound restruct... Wu used images and sounds taken from the trip to create the experimental piece Go-raku-en (後樂園). "It is so simple and pure. ... It's just that when you don't care that much, it's purity," said Wu, who feels that any form of art is an expression of thinking and an extension of liberty and freedom."
Van Gogh's Ear
Director
A party hosted by Beat poet Allen Ginsberg inspired the director's award-winning graduation film Van Gogh's Ear, an experimental short featuring the maestro talking about his creations, death and immortality.
Experimental Taiwanese
Director
Hebei origin, air-force officer retiree, Mr. Chou, now diligently learning Taiwanese, met “Chang Jiang No. 1,” China’s top secret agent during Sino-Japanese war, on a Peking opera’ seminar. Chou’s flat moon life has then been sparkled. He started to talk around about the heroic accomplishments this “Chang Jiang No.1” had done. This person, “who contributes most to China,” gradually becomes Chou’s only mark on the Moon. Is “homesickness” a gene? Inheritable? Transplantable? Can be parted or chosen? Contagious? Needs regular purging like computer viruses? … Through the story between Mr. Chou and “Chang Jiang No.1.” the film uses lively rhythm to represent the interesting homesickness issue. The director adopts a humorous way to re-present these new Taiwanese in Taiwan. As for whether “Chang Jiang No.1” is a real person or not is up to the audience to decide.