Ryuji Otsuka

참여 작품

Stonewalling
Producer
Lynn is a 20-year-old college student who finds herself isolated in a family scandal at the heart of a medical clinic when a father loses his premature child and accuses Lynn's family of negligence and calls in the local mob for compensation.
Stonewalling
Director of Photography
Lynn is a 20-year-old college student who finds herself isolated in a family scandal at the heart of a medical clinic when a father loses his premature child and accuses Lynn's family of negligence and calls in the local mob for compensation.
Stonewalling
Production Designer
Lynn is a 20-year-old college student who finds herself isolated in a family scandal at the heart of a medical clinic when a father loses his premature child and accuses Lynn's family of negligence and calls in the local mob for compensation.
Stonewalling
Editor
Lynn is a 20-year-old college student who finds herself isolated in a family scandal at the heart of a medical clinic when a father loses his premature child and accuses Lynn's family of negligence and calls in the local mob for compensation.
Stonewalling
Director
Lynn is a 20-year-old college student who finds herself isolated in a family scandal at the heart of a medical clinic when a father loses his premature child and accuses Lynn's family of negligence and calls in the local mob for compensation.
video chat party
Producer
In the later stages of the epidemic, a young couple who constantly argued over work, a partner who had a conflict, a friend who didn't show up for a long time, their video chats were interwoven and recorded on a computer screen with anxiety, boredom, and hope.
습한 계절
Director of Photography
중국 남부 도시 선전에 사는 젊은 커플 동과 주안은 일종의 권태기를 겪는 듯 보인다. 동은 낡아 빠진 테마파크의 경비원으로 일하면서 무대 연기자를 꿈꾸고 있고, 주안은 꽃가게에서 일하며 배달을 겸하고 있다. 어느 날 두 사람에게 각기 비밀스런 관계가 생긴다. 동은 매일같이 호수를 찾아오는 여성 유안과 친해지고 주안은 꽃 배달을 시키는 고객인 중년 남자 롱에게 끌린다. 아직 어린 남녀는 보다 성숙한 상대를 통해 세상을 좀 더 알게 된다.
가족여행
Director of Photography
중국정부에 비판적인 영화를 만들다 중국 내 활동이 어려워진 양수 감독은 5년째 홍콩에서 일종의 정치적인 망명 생활을 하고 있다. 홍콩인 남편과 함께 이제 4살된 아들을 두고 강의도 하고 새로운 영화 기획도 하면서 겉으로는 안정된 홍콩 주민으로 살고 있는 것처럼 보인다. 영화가 시작되면 이들 가족은 첩보영화 주인공들처럼 조심스럽게 대만으로 떠난다. 양수 감독이 5년전 중국을 떠난 후 고향에 혼자 남은 엄마가 중국 단체 여행단으로 대만에 도착했기 때문이다. 딸이 떠난 후 엄마는 중국 공안의 주기적인 감찰 방문조사에 시달렸고 그 모든 것을 녹음해 딸에게 건네준다. 이란 소박한 타이틀과 달리 평범한 한 가족의 잠깐의 재회를 위해 중국도 홍콩도 아닌 대만을 택해야 하는 이들 가족의 속사정을 온전히 이해하려면 중국현대사를 다시 되돌아보고 억압에 맞서며 예술가의 자유를 지켜내려는 잉량 감독의 영화 여정에 대한 되새김이 필요해진다. (성지혜/2018년 제23회 부산국제영화제)
I Have Nothing to Say
Director of Photography
The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.
분조
Producer
For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones.
분조
Director of Photography
For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones.
분조
Writer
For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones.
분조
Director
For the sake of her mother, who lives far away, withdrawn Lynn searches for a way to be accepted into the local police academy. At the same time, the 16-year-old gets caught up in a criminal mess involving stolen cell phones.
Beijing Ants
Self
Ryuji Otsuka and Huang Ji are the ‘main characters' in this very personal homemade documentary that's funny, angry, scary and stirring all at once. He's the Japanese director of the film; she's his wife and a prizewinning filmmaker in her own right. For independent artists and filmmakers, finding an affordable place to live with their young daughter is a never-ending struggle. A side effect of China's astonishing prosperity is sky-high property prices – about $10,000 per square metre in Beijing. The landlords, movers and neighbours they encounter seem bent on driving them nuts. But never underestimate the resilience, determination and lung power of enraged, protective young Chinese parents. Otsuka's sometimes concealed camera reveals intimately how life feels, from ground level, in urban China today.
Beijing Ants
Director
Ryuji Otsuka and Huang Ji are the ‘main characters' in this very personal homemade documentary that's funny, angry, scary and stirring all at once. He's the Japanese director of the film; she's his wife and a prizewinning filmmaker in her own right. For independent artists and filmmakers, finding an affordable place to live with their young daughter is a never-ending struggle. A side effect of China's astonishing prosperity is sky-high property prices – about $10,000 per square metre in Beijing. The landlords, movers and neighbours they encounter seem bent on driving them nuts. But never underestimate the resilience, determination and lung power of enraged, protective young Chinese parents. Otsuka's sometimes concealed camera reveals intimately how life feels, from ground level, in urban China today.
When Night Falls
Cinematography
The mother of a murderer awaits and prepares to meet her son. The true story of a man who killed six Shanghai policemen after suffering police beatings as a punishment for riding an unlicensed bicycle. This film was produced as a part of the Jeonju Digital Project.
Egg and Stone
Editor
14-year-old Honggui is forced to live with her uncle and aunt in the countryside. She is not wanted by them, nor was she wanted by her parents, who apparently intended to farm her out to family for two years so they could work in the city. Years pass. When she tries to make contact, her real mother is too busy to take her call.
Egg and Stone
Producer
14-year-old Honggui is forced to live with her uncle and aunt in the countryside. She is not wanted by them, nor was she wanted by her parents, who apparently intended to farm her out to family for two years so they could work in the city. Years pass. When she tries to make contact, her real mother is too busy to take her call.
Egg and Stone
Director of Photography
14-year-old Honggui is forced to live with her uncle and aunt in the countryside. She is not wanted by them, nor was she wanted by her parents, who apparently intended to farm her out to family for two years so they could work in the city. Years pass. When she tries to make contact, her real mother is too busy to take her call.
Judge
Director of Photography
In a small northern Chinese city in 1997, Judge Tian privately struggles with the loss of his daughter, killed by a stolen car in a hit-and-run accident. On the bench he encounters Qiuwu, a mechanic accused of stealing two cars. Perhaps influenced by his emotional state, the outwardly impassive judge imposes an almost-obsolete criminal law on Qiuwu that sentences him to death for his crime. Desperate to mitigate his sentence, Qiuwu agrees to donate his kidney to a rich businessman dying of a terminal illness, hoping at the very least that his impoverished family may profit from his demise.
The Warmth Of Orange Peel
Producer
Lin Sen lives with her father in a tiny village in China. This twelve-year-old girl has begun to notice a change in her relationship with her father. But Li Sen isn’t sure if this has something to do with her new-found knowledge of puberty and sexuality or is simply due to the cold winter.
The Warmth Of Orange Peel
Director of Photography
Lin Sen lives with her father in a tiny village in China. This twelve-year-old girl has begun to notice a change in her relationship with her father. But Li Sen isn’t sure if this has something to do with her new-found knowledge of puberty and sexuality or is simply due to the cold winter.