Marissa Triantafyllidou

Thomas works as a taxi driver by night and he lives with his wife, Maria, and his teenage son, Tassos. When one of his customers commits suicide, Thomas is prompted to confront everything he’s kept buried inside for too long, and realize the shortcomings of his life. When he meets Eleni, his client’s lost daughter, he sees in her a way out of his weary life and becomes romantically obsessed with her.

A boy who grows up with his step-parents in Greece and who, at the age of 20, unwittingly murders his father. While serving his sentence, he falls in love and has a child with a woman who works in the prison. They are both unaware of the fact that she is his biological mother. Twenty years later, he lives in London with his daughter and is beginning to lose his eyesight.

Aris and Anna meet one evening in a half-abandoned town surrounded by antennas. In this strange, dreamlike world, the two solitary souls gradually start to develop feelings for one another.

Michalis has barely 24 hours to redefine his life and make up for his close ones. That same night he meets a girl. He only wishes that the morning never comes.

A dodo, a bird that disappeared 3000 years ago, makes its appearance in Athens in the luxurious residence of a family on the verge of ruin for which the countdown has begun: the 38 crucial and saving hours that separate them from the marriage of their daughter with a rich heir. The boundaries between reason and madness will be tested and the situation will soon be out of control.

Callie, an unemployed young woman living with her controlling mother, is looking for a way out through the glittery yet cruel YouTube beauté universe. She will go beyond her limits to please her handful of subscribers while keeping up a smiling face and maintaining a perfect image.

금요일에 불꽃이 튀는 것은 지글지글 주말을 보낼 수 있지만 피할 수 없는 월요일이 되면 어떻게 될까요?

Two men go in search of a birdman to become a bird in nine steps.

The brief but intense encounter of a Greek police officer and a Syrian refugee changes the way the two see this world.

Survival, motherhood and movies all collide in a backyard pool.

A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.

젊음에 도취된 남자, 치명적인 선을 넘다 쫓기듯 섬마을에 의사로 오게 된 중년의 남자 ‘코스티스는 무료한 생활을 이어가던 중 친구들과 섬에 휴가 온 소녀 ‘안나’를 병원에서 만난다. 젊고 도발적인 ‘안나’에게 끌리면서 코스티스는 안나를 관음하기 시작한다. 아슬아슬하고 자유로운 그들과 어울리며 활기를 찾고 처음으로 젊음을 느끼지만, 안나를 향한 사랑과 집착으로 멈출 수 없는 선을 넘게 되는데…

A man who doesn’t know who he is meets his former love. She tells him he is a famous poet, Kostas Karyotakis, who killed himself in 1928. Every year he returns on the anniversary of his death.

A mother and daughter start out from downtown Athens and head to the northern suburbs of the city. Nina thinks she's going on a walk.

For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.

Strangers in their own birthplace, a camp 16-year-old, lollipop-sucking Dany and his 18-year-old brother Odysseus cross the entire country (along with pet rabbit Dido ) in search of their Greek father, who they only know as “The Nameless”, after the death of their Albanian mother. They hope to get Greek passports and citizenship but on the journey they encounter racism and prejudice.

According to the director: “The film deals with the corrosive effect, on a relatively advanced life, of what psychologists may call ‘the repressed’, while I prefer to concentrate on the beautiful Greek word ‘kaemos’ [καημός, translated as longing, unfulfilled desire]. The most ‘realistic’ and most synoptic… synopsis I can give for the fiction of the film is: ‘A man comes face to face with himself’, but this wording (and here comes the fantasy element) must be read literally.”

In Greece the advertisement in exterior billboards has been recently forbidden. As a result there are hundreds of blank billboards that don’t show any messages. But the empty frames are now the message. And Greece is out of frame.

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

엘리아스는 그리스를 떠나 파리로 가기 위해 밀항선을 타지만, 중간에 경찰을 피해 무작정 바다에 몸을 던진다. 우여곡절 끝에 ‘불안한 에덴’, 파리에 입성하게 되는데... 1970년대 등 정치영화로 명성을 떨친 거장 코스타 가브라스의 베를린 출품작으로, 현재 유럽의 첨예한 문제를 건드린다.

Two brothers, the honest Michalis and the swindler Nontas, are forced to resort to bank robberies in order to pay off the latter's entanglements with the mafia. Michalis' love for a secret police officer, a strange couple of her colleagues and Nontas' greed will make things even more complicated.

A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.

Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.