Santiago Racaj

Teresa (María Vázquez) changes her vacation plans to spend the summer with Ani, her mother (Adriana Ozores). Living together day and night after so many years is not easy for either of them. Accustomed to living alone, it is difficult for them to agree on even the small things of daily life. However, the forced coexistence will also bring revealing moments for both.

Leo is a successful author of mystery novels, who writes under the pseudonym Cameron Graves. While penning his next book in an isolated chalet, he receives a strange visit from Jota, a somewhat troubling character, who claims to be a journalist. No one is aware of Leo’s true identity and only Victoria, his agent, knows his whereabouts, so... How has Jota managed to track him down? What are his intentions? A dark secret linked to Adriana, his young lover, seems to be behind the mysterious visit. Lies, betrayal, threats and death will be the order of the day as the two characters go head to head in a merciless duel.

Vasil is a Bulgarian immigrant who lives on the street in Spain. Intelligent and charismatic, he has an amazing talent for chess and bridge, so much so, in fact, that despite being homeless, he manages to make a name for himself in an exclusive and prestigious club in the city.

Laura has just arrived in Madrid to study at University. One night, she accidentally meets David, who has cerebral palsy. The relationship with the boy and his mother will give Laura the push she needs to overcome her complexes and insecurities and confidently enter a new phase. A story about that vital moment when anything is possible and how the most unexpected encounters can change our lives.

30대 커플인 엘레나와 다니엘은 클래식 콘서트에서 만난 친구 커플로부터 마드리드를 떠나 교외에서 살기로 했다는 소식을 듣는다. 6개월 후, 엘레나와 다니엘은 기차로 30분 떨어진 시골로 그들을 방문하러 떠난다. 마드리드를 향한 무한한 애정에도 불구하고 이들은 도시에서 행복한 걸까? 시골에 안착한 커플은 남들에게 과시하는 것만큼 새로운 환경에 만족하고 있을까?

30대 커플인 엘레나와 다니엘은 클래식 콘서트에서 만난 친구 커플로부터 마드리드를 떠나 교외에서 살기로 했다는 소식을 듣는다. 6개월 후, 엘레나와 다니엘은 기차로 30분 떨어진 시골로 그들을 방문하러 떠난다. 마드리드를 향한 무한한 애정에도 불구하고 이들은 도시에서 행복한 걸까? 시골에 안착한 커플은 남들에게 과시하는 것만큼 새로운 환경에 만족하고 있을까?

Two Spanish women from different generations find themselves sharing a hospital room in Belgium. María has been living there for decades after emigrating when she was young and Verónica is a young girl recently arrived in search of opportunities she never found in Spain. A strange friendship is forged between them and this leads María to set out on a return journey to the south of Spain with an unusual mission. What begins as a search for Verónica's roots will become an opportunity to open herself up to the world and question certain principles on which she had based her life.

An immense fall-out between two sisters. A time for reproach and love. Something for a whole life between two beings produced by the same body but profoundly different. Together. And yet, irreconcilable. A fight to the death. Head-to-head. These sisters are our sisters. They are the multitude who live inside each one of us. That multitude is called: need, truth, struggle.

Lina doesn't mind people insulting her. But if they do, they should do it face to face.

모든 사람들이 휴가지로 떠나고 관광객들만 남은 마드리드에서 자신만의 시간을 보내려는 주인공이 2주간 겪게 되는 일상을 그린 영화

At 78 years old, Manuela buys a camera and AR glasses.

레오노르는 집을 떠나고 싶지만, 감히 그 마음을 엄마에게 털어놓을 순 없다. 에스트레야는 딸이 떠나길 원하지 않지만, 마냥 자신의 곁에 머무르게 할 순 없다. 엄마와 딸은 지금껏 서로가 공유해온 세계의 격변을 경험하며 인생의 새로운 국면을 맞이하려 하고 있다. 은 모녀를 옥죄는, 너무도 긴밀한 동시에 섬세해서 이들을 쉽사리 가둬버릴지 모르는 유대관계에 주목한다.

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

서로 흔들림 없이 사랑하는 ‘루이스’와 ‘마르타’. 하지만 ‘루이스’가 뇌종양 진단을 받으면서 완벽했던 두 사람의 관계에 불안함이 시작된다. 결과를 기다리며 휴가를 떠난 두 사람은 그곳에서 그동안 느끼지 못했던 복합적인 감정이 맴돈다. 두려움과 절망, 상처, 분노, 연민 등의 복잡한 감정에 휩싸이며 두 사람의 관계에 위기가 찾아 오는데…

1993년 여름, 어른들이 쉬쉬하며 알려주지 않았지만 프리다는 알고 있었다. 아픈 엄마는 세상을 떠났고, 남겨진 자신은 시골 외삼촌 집으로 가야 한다는 것을. 외삼촌부부와 사촌동생 ‘아나’는 프리다를 따듯하게 맞아주었고, 새 가족과 잘 지내고 싶은데 어쩐지 점점 미움만 사는 것 같다. 볼 수 없는 엄마를 향한 그리움을 어떻게 달래야 할지, 아나를 더 예뻐하는 것 같아 속상한 마음을 어떻게 표현해야 할지, 내가 말썽을 피워 화가 난 외숙모에겐 뭐라 말해야 할지, 몰랐을 뿐인데… 결국 앞이 보이지 않는 깜깜한 밤, 프리다는 자신을 사랑해줄 가족을 찾아 떠난다.

Friday, 11 p.m. Carla, a woman in her forties, is alone in her office. She gets a call. It's Raúl, a young guy who sells cocaine. Tonight will be the last night that Raúl works as a dealer. He wants to change his life.

Koto is a restless and impulsive young African, born in a refugee camp. His life in Catalonia among the paddy fields of the Delta passes by with few changes, always under the protection of his foster parents. He has left behind the tough childhood he had in the Saharan refugee camp where he was born. One day life takes a sudden turn: the doctors tell him that he urgently needs a kidney transplant. The best choice as a possible donor would be his biological mother. The sudden arrival of his Saharan family is a shock for Koto, who watches as the life he has been living for the past 10 years falls apart around him. Far removed from the beliefs and customs of his people, the young man must deal with his origins to try to save his own life. The film is based on a real story and played by Koto himself.

A modern answer to Luis Buñuel's mythical documentary “Land Without Bread” (1933) about Las Hurdes, a historically impoverished region of the province of Cáceres, in Extremadura, Spain, and also a journey of discovery of the soul of this beautiful land and its inhabitants.

Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.

루이스는 아픈 딸 알리시아가 일본 텔레비전 프로그램의 주인공인‘ 마법소녀 유키코’가 입는 드레스를 생일선물로 받고 싶어한다는 것을 알게 된다. 그는 딸의 소원을 들어주기 위해 고군분투하던 과정에서 정신적으로 불안한 부유층 여성과 어두운 과거를 지닌 교사를 만나게 되고, 그들의 삶을 영원히 뒤흔들 엄청난 사건에 말려든다. 이 영화는 돈 때문에 벌어지는 비극을 중심에 둔다. 돈 없는 아버지가 곧 죽을 수도 있는 딸의 소원을 들어주기 위해 한 여자에게서 돈을 뜯어내면서 모든 문제가 발생하기 때문이다. 그래서인지 그 아버지에 대해서보다 그가 속한 사회에 대해 더 분노하게 된다. 현대 스페인 사회에 닥친 경제 위기와 그로 인한 비인간화를 간접적으로 담고 있으며, 차가운 화면 톤과 인물들의 차분하고 절제된 음성으로 인해 전체적으로 무채색의 인상을 풍기는 작품이다. 안정된 화면구성이 돋보이는 올해 스페인 최고의 화제작으로, 프롤로그로 기능하는 첫 시퀀스는 마지막 장면에서 진의를 드러낸다.

The first work from Fernando Franco revolves around Ana, a 30 year old ambulance driver. Though good at her job, Ana has problems relating in her personal life. She doesn't know it, but she suffers from a condition known by psychiatrists as Borderline Personality Disorder. The situation pushes her to outbreaks of self-destructive behaviour, alcohol abuse and self-harm. Ana is incapable of getting what she wants most: to be happy.

What some filmmakers do when they are not making movies: they waste time; they eat and get drunk; they take a walk after watching a movie; they fall in love; they are alone or with friends, building future memories for a future movie.

A Spaniard in Argentina becomes aware of his approaching death while staying at a hospital, so he decides to run away from Buenos Aires and start a trip up North, heading nowhere in particular.

People taking the last subways in working days always wear crumpled clothes. Sitting in a nearly empty car, they look at each other, they get a glimpse of each other. After another day with lost chances, they only expect to arrive home. Tomorrow will be another day.