Bahram Beyzai
출생 : 1938-12-06, Tehran, Iran
약력
Bahrām Beyzāie (also spelt Beizai, Beyza'i, Persian: بهرام بیضائی, born 26 December 1938) is a critically and popularly acclaimed filmmaker, playwright, theater director, screenwriter, film editor, and ostād ("master") of Persian letters, arts and Iranian studies.
Bahram Beyzaie is the son of the poet Ne'matallah Beyzai (best known by his literary pseudonym "Zokā'i"). The celebrated poet Adib Beyzai, known as one of the most profound poets of 20th-century Iran, is Bahram's paternal uncle. Bahram Beyzaie's paternal grandfather, Mirzā Mohammad-Rezā Ārāni ("Ebn Ruh"), and paternal great-grandfather, the mulla Mohammad-Faqih Ārāni ("Ruh'ol-Amin"), were also notable poets.
In spite of his somewhat belated start in cinema, Beyzai is often considered a pioneer of a generation of filmmakers whose works are sometimes described as the Iranian New Wave. His Bashu, the Little Stranger (1986) was voted "Best Iranian Film of all time" in November 1999 by a Persian movie magazine Picture World poll of 150 Iranian critics and professionals.[5] Still, even before the outset of his cinematic career in 1970, he was a leading playwright (as well as theater historian), so much so that he is often considered the greatest playwright of the Persian language, and holds a reputation as "the Shakespeare of Persia.
Self
This documentary movie explores the professional life of Parviz Fanizadeh, Iranian actor of the 60s and 70s cinema and theater, with investigating through archival footage of his works and referring to his fellow artists.
Editor
Life is not a good play Approximately year eighty of the Persian calendar. In a busy crossroads of Tehran, a woman and a man run into one another, torn apart by the events of the last fifteen years.
Writer
Life is not a good play Approximately year eighty of the Persian calendar. In a busy crossroads of Tehran, a woman and a man run into one another, torn apart by the events of the last fifteen years.
Director
Life is not a good play Approximately year eighty of the Persian calendar. In a busy crossroads of Tehran, a woman and a man run into one another, torn apart by the events of the last fifteen years.
about Bahram Beyzai
Self
An examination of the work and lives of actresses in the Iranian film industry prior to the 1979 revolution, featuring myriad interviews and rare film clips.
self
A documentary about Ghazaleh Alizadeh who was an Iranian poet and writer.
Editor
Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.
Producer
Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.
Screenplay
Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.
Director
Chakameh who has lost both her husband and child in a car accident meets a guy who recently been released from prison. While she is under pressure from the lawyers to compromise with the arrested driver, the guy told her his story of why getting arrested and then released from prison.
Screenplay
Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.
Director
Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.
Bahram Beyzai
Documentary about Babak Bayat, Iranian composer and musician
Part 3 of documentary trilogy about Pertsian poet Forough Farrokhzad. This part focuses on her theatre and film work.
Editor
Zamane and Saeid are neighbors. Despite their own arrangements to get married, their families are against this marriage. Zamane’s family’s reason for this opposition, especially her father’s, is the fact that Saeid is a disabled veteran who is on the wheelchair. Zamane, who’s had enough of her family’s strict behavior, offers Saeid to run away with her and then get married, but he doesn’t accept that.
Editor
Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.
Producer
Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.
Writer
Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.
Director
Golrokh, an Iranian author, struggles to settle her husband's debts caused by a business partner who left him to bear the consequences.
Part 1 of the trilogy concerning Persian poet Farough Farrokhz. This film traces her personal life.
self
A documentary about the most important modern Iranian poet and intellectual icon. Iranian poet Ahmad Shamlou talks about his poetry, the world of poetry, and his life. Filmed over a two year period from 1996 to 1998.
Director
An avant-garde short movie of Bahram Beizai about history of south of Iran and a conversation of a southern boy(Shanbehzade) with a genie called wind(Mozhdeh shamsai)
director
An avant-garde short movie of Bahram Beizai about history of south of Iran and a conversation of a southern boy(Shanbehzade) with a genie called wind(Mozhdeh shamsai)
Editor
Minoo who is married to Moosa recently, is moving to the new house. But Moosa receive a letter in which he being told to get back to the Minoo Island (a border island between Iran and Iraq), to dispatch a watch tower there from the period of war. Moosa who has a lot of memories of that place refuses to go there but his wife Minoo is insisting. Finally she manages to convince him and both go there.
Writer
As Abdollah prepares to get married to his long-time love, he hears calls for help during his wedding and leaves the ceremony for an adventure to find the truth.
Editor
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
Producer
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
Writer
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
Director
A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?
Costume Design
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Production Design
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Editor
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Writer
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Director
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Editor
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
Writer
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
Director
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
Editor
전쟁으로 집을 잃은 아미로는 버려진 배에서 혼자 사는 고아다. 아미로는 또래 아이들과 티격태격 싸움을 벌이며 바다 위에 둥둥 떠다니는 빈병을 하나라도 더 주워 팔려고 뛰어다니며, 구두를 닦고, 항구에서 냉수를 팔아 생계를 꾸려간다. 하지만 어린 아이라고 해서 사회가 만만한 것은 아니다. 구두를 닦다가 도둑으로 몰리기도 하고, 물을 마시고 자전거를 몰아 그대로 도망치는 어른을 끝까지 쫓아가서 돈을 받아내기도 하고, 얼음을 뺏으려고 쫓아오는 사람을 따돌려야 하는 일도 생긴다. 아미로는 친구들과 가장 즐기는 놀이 중 하나인 달리기에 점점 빠져가면서 자신감을 붙여간다. 아미로의 유일한 낙은 바닷가를 떠다니는 커다란 배와 비행기를 구경하는 것이다. 어렵게 모은 돈으로 항공기 관련 잡지를 사기도 하지만 정작 글은 읽을 줄 모르는 자신의 처지가 답답하기만 하다. 결국 다니던 학교에 다시 찾아가 글을 다시 배우며 목이 터져라 반복해서 글을 암송한다. 그리고 아이들과 함께 숨이 턱 끝까지 차오를 정도로 고통스러운 달리기 시합을 시작한다.
Editor
Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
Writer
Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
Director
Bahram Beizai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
Writer
During the Islamic revolution a SAVAK member Amani marries a woman her name Laleh. Laleh is a doctor and helps the injures of the revolution. Her brother is too involved in the revolution.
Writer
The Mongol invasion of Iran leaves the country devastated but the people fight for their right in their own way.
Costume Design
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
Production Design
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
Producer
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
Editor
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
Writer
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
Director
Tara, the young beautiful widow, returns with her two young children from country to her village. On her way home, she finds out that her grandfather has passed away. She distributes grandpa’s belongings among her neighbours. But there remains an old sword that no one will accept. One day on the road, she meets an ancient warrior. He claims that his clan have sent him to present time to take the old sword back. Tara finally submits the sword to him, but he returns upon realizing that he has fallen powerfully in love with her.
Editor
When Mr. Esalat is looking for a topic for his TV show, he notices an advertisement in the newspaper about a missing girl. The picture of the missing girl is very familiar to him and he tries to remember where he saw it before. His wife Asieh is a teacher and at home she writes his mother's diary. When he searches for the address in that advertisement, he finds that it belongs to 30 years ago. Asieh is becoming interested in the missing girl too.
Writer
When Mr. Esalat is looking for a topic for his TV show, he notices an advertisement in the newspaper about a missing girl. The picture of the missing girl is very familiar to him and he tries to remember where he saw it before. His wife Asieh is a teacher and at home she writes his mother's diary. When he searches for the address in that advertisement, he finds that it belongs to 30 years ago. Asieh is becoming interested in the missing girl too.
Director
When Mr. Esalat is looking for a topic for his TV show, he notices an advertisement in the newspaper about a missing girl. The picture of the missing girl is very familiar to him and he tries to remember where he saw it before. His wife Asieh is a teacher and at home she writes his mother's diary. When he searches for the address in that advertisement, he finds that it belongs to 30 years ago. Asieh is becoming interested in the missing girl too.
Editor
A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.
Screenplay
A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.
Director
A young man, suffering from loss of memory, drifts in on a canoe onto the shore of the Persian Gulf. He falls in love with a beautiful village woman and settles down, until strangers come from the sea and attack the village. The young man decides to return to the sea to save the village from further harassment.
Writer
어느 시골 학교에 부임한 숫총각 교사의 사랑 만들기 코믹 멜로+ 리얼리즘 영화.
Director
어느 시골 학교에 부임한 숫총각 교사의 사랑 만들기 코믹 멜로+ 리얼리즘 영화.
Writer
The story is about two poor boys’ search for their father through a Journey from downtown to uptown. Two hungry boys are forced to move through the events, people and unrealistic and risky places in a nightmarish way. A daily journey in search of their lost identity and worth!
Director
The story is about two poor boys’ search for their father through a Journey from downtown to uptown. Two hungry boys are forced to move through the events, people and unrealistic and risky places in a nightmarish way. A daily journey in search of their lost identity and worth!
Writer
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
Director
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
Writer
Ghali-e sokhangoo in Persian Carpet
Director
Ghali-e sokhangoo in Persian Carpet
