Eugénie Beaudry

While away in Mexico, Karine and Estelle witness the preparation and rejoicing of the “Day of the Dead”. Inspired by the beauty of the ritual and the fine spiritual humor of their hosts, they will soon learn to see their sister’s recent tragic death in a more light-hearted manner.

A photographer sets off toward a mysterious forest to find Boychuk, witness and victim of the Great Fire that swept through Northern Ontario at the turn of the 20th century. But before she arrives, she learns that Boychuck has just perished. Survivors of the long-ago fire, Tom and Charlie, two elderly men who have chosen to live out their last days in the woods, are introduced to Marie Desneige, whose 60 year institutionalization has only fueled her passion for life. Meanwhile, the photographer is discovering that Boychuck had been a painter, whose life’s work had been entirely inspired by the Great Fire. The story immerses us in a historical drama while captivating us with the strange lives of these men of the forest. Three men who, in choosing freedom above all else, made a deal with death.

Rosalie's door closes roughly. Her boyfriend Jimmy, a street musician, has just decided to break up with her. For an hour and a half, Rosalie will go through all kind of moods and sink into a destructive madness, while recalling the memorable moments of her story. The film is a deconstruction of the romantic comedy genre and its way of portraying love.

Who would you be today if, a few years ago, you had not chosen the path you took? Another person, in another life. Completely, definitely, irrevocably.

Mathieu seeks all ways to attract attention to himself. It is a matter of survival: you think of me so I am.

A young quebecer descends into alienation and depression.

Tommy, 10 years old, is well known by Social Services. He is considered a danger to society. Gilles, his guardian at this halfway house, sees potential for redemption in this kid driven by violence.

A biopic of the late musician Dédé Fortin, the singer, songwriter, and founder of a very popular Québécois band called "Les Colocs".

영화는 피해자들의 피를 화면에 다루는 것을 피하기 위해 의도적으로 흑백으로 만들어졌다. 1989년 캐나다 몬트리올에 위치한 에콜 폴리테크 대학에서 일어난 사건을 페이크 다큐멘터리 형식으로 재현한 영화이다. 당시 마크 래핀이란 25세 남성이 범인이었는데, 45분 동안 그가 휘두른 총에 14명의 여학생들이 목숨을 잃었다. 실제로 유언장에 "페미니스트들이 싫다"라고 남기고 스스로 목숨을 끊었다. 그 사건 이후로 캐나다는 총기 소지법을 더욱 강화하였지만 캐나다인들이 겪은 충격은 매우 컸다고.. 이후에도 비슷한 사건이 계속 발생하여 캐나다인들에게 더욱 잊지 못할 사건이라고 한다. 영화는 총기사건을 다루고 있지만 소외받는 여성들을 대변하는 영화이기도 하다. 극중 살인범은 페미니스트가 온갖 편의를 누린다고 불만을 갖고 총기사건을 일으킨다. 하지만 영화 속에서 비추어지는 여성들은 편의를 누리는 것이 아니라 여성이기에 차별을 받는 존재로 그려진다. 아이러니하게도.. 사건이 일어나는 학교 또한 폴리테크닉, 즉 과학 기술 학교로 여성들의 비율이 매우 적은 편이다.

A young woman taking care of her diabetic father gets involved in a one way relationship. Portrait of a generation about to replace another, Demain is a film based on an inertia marked youth, and on it's precursors confronted to their own disappearance.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

1952, Québec - Alys Robi, vocalist at the top of her popularity and recognized worldwide, was interned in spite of herself, by her father. Medical authorities prescribe her the only cure for a possible cure: the lobotomy. Under the bright lights of the operating room, Alys sees her 28-year life flash before her eyes.

Crossing a particularly difficult ordeal, Lucie and Marc try to open up to each other and resume, in a way, a normal life.