James Toh

참여 작품

Singapore Cinema: Between Takes
Himself
From Crazy Rich Asians (2018) to 12 Storeys (1997) to Sumpah Pontianak (The Curse of Pontianak) (1957), Singapore’s film industry is a diverse one and its evolution is nothing short of colourful. Recollecting Singapore’s famed studios in the 1950s to uncovering new waves of filmmakers in 90s and into today’s digital revolution, Singapore Cinema: Between Takes provides an insight into the rich history, and culture of Singapore films and its industry through candid reflections of filmmakers and content creators.
내 곁에 있어줘
Executive Producer
당신의 사랑이 나를 살게 합니다... 사랑하는 사람이여, 언제나... 내곁에 있어줘
One Leg Kicking
Screenplay
A group of underdogs form an amateur football team to play in a local league. The prize for the winners: a trip to the 2002 World Cup Finals. The team include a common man's hero who raises his two children single-handedly after his wife passes away, an ex-con with major anger management problems, a lounge singer struggling against his deadly nemesis - the karaoke machine, and a tender but tough tomboy. The story is built around the team struggle against the odds from no-hopers to title contenders. Through the game of football, the team learns not just sportsmanship, but life lessons that help them to mature as individuals, and ultimately, help each other to become better human beings.
12 Storeys
Executive Producer
The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.
12 Storeys
Writer
The film depicts 24 hours in a HDB block of residential flats in Singapore. There are three main storylines. San San, fat, silent, and alone, hears the ghost of her mother constantly upbraid her. Ah Gu, a tofu soup vendor, is at odds with Lily, his materialistic immigrant wife, who longs for something he cannot provide. Meng spouts every moralistic bromide of the striving middle class, but is unhinged by his teenage sister May ("Trixie" to her boyfriend) who won't study, parties all night, and seems doomed by youth culture.