Jaanika Arum

Anna, a high-tech pick-up artist who helps awkward men to seduce lonely women in high-class bars on cold evenings in Tallinn. She can play the game of sex and love like a professional, she knows just what to say to manipulate anyone into doing what she wants (or consenting to what she wants). But Anna's own love life is far from perfect and she cannot see that she is being manipulated, too.

Jakop, a lone fisherman on the coast of lake Peipus has to decide whether refugees brought to his door are his way of redeeming past sins or merely a means to quickly earn much needed cash.

A gang of five children spend their summer in an abandoned factory complex. When they are forbidden to go there by the factory owner for safety reasons, the children decide to ignore the ban. This decision changes their lives forever and the friends face a grim confrontation.

1977년 냉전 시대의 에스토니아, 군 기지에서 복무 중이던 젊은 군인 '세르게이'는 새로 온 전투기 조종사 '로만'에게 첫눈에 이끌린다. 위태롭게 선을 넘나들던 두 남자는 모든 게 금지된 시대에 위험한 사랑을 시작한다.

Middle-aged perfectionist Virve has made sure that her mother's 80th anniversary party goes exactly as planned, but suddenly her niece Silvia appears at the party with a surprise guest.

Ingmar is a narcissist with relationship issues and repeatedly manipulates and emotionally abuses his partners creating a cyclical panern of behavior.

CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results.

In the snowy and secluded Estonian forest, Marti lives his life through routine. Haunted by his past bad judgement, he has become distant and lifeless. Kalev, an old local shopkeeper and a friend to Marti, tries convincing Marti to let go of the past and move on. Due to an unexpected event and Kalev's persuasiveness Marti finds himself on the verge of a new beginning. After his routine trip to the shop, Marti finds a young woman Irene at his doorstep. Marti, although hesitant, invites her inside for a tea. It doesn't take Marti long to realize Irene is not who she says she is. Torn between the past and present, Marti finds himself in a cul-de-sac. Meanwhile, Kalev is alarmed by two men parked outside his shop and is certain of their bad intentions. Marti knowing of the sinister plot in motion, has to finally come to terms with himself or suffer the consequences.

Mattias has a dream to become a photography student of the Berlin Arts Academy. On the journey of following his calling, his dream is constantly put to a test after Mattias falls in love with a beautiful free spirit Hanna. Trying to win her heart, Mattias feels the need to prove Hanna, that he can be just as adventurous and unpredictable as she is. Breaking the law together with Hanna, Mattias risks everything dear to him, not knowing yet, that Hanna's bold acts are only the symptoms of bipolar disorder. In the moment of jelousy Mattias accidentally commits a crime that could put him behind bars for years. The only escape he sees is to get himself declared irresponsible. In order to achieve that Mattias decides to start faking the illness her gilfriend really has - bipolarity.

A young man tries to make sense of the world in the summer heat of late nineties Estonia.

The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.

After being fired from his job at a newspaper for writing a destructive review of a celebrated movie, Fred, an aspiring writer, learns that his girlfriend is pregnant.

In her fondest dreams, this film’s main character Leila (Riina Maidre) is a resplendent singer. In reality, however, all her energy and talent is spent on relationships that eat away at her soul, mind-altering substances, and glamorous showing-off. Heleri defies the rules. By playing with the possibilities of the art of film, she takes the viewer to an uneasy universe where the boundary between reality and illusion is incredibly thin. This is a world that is familiar to everyone who at some point in their life had to grow up and admit to themselves that dreaming is not enough on its own. And who have regardless of that chosen dreaming.

스탈린의 공포 정치를 겪은 ‘알리드’는 고향 사람들이 숱하게 시베리아로 강제 추방 당한 가운데 홀로 살아 남아 수십 년째 외딴 집을 지키고 있다. 어느날 밤, 그녀는 러시아 마피아에게 붙잡혀 성 노예로 착취 당하다가 극적으로 탈출한 소녀 ‘자라’를 발견한다. 상처받은 두 여인이 서로를 알아가는 가운데, 에스토니아가 구 소련의 지배하에 있던 시절, 한 가족이 견뎌야 했던 비극이 밝혀진다. 남자를 지키기 위한 한 여자의 기나긴 형벌의 시간.. 형부를 사랑한 죄로, 형부를 살리기 위해 숱한 고문을 견디고 심지어 소련 경찰과 결혼까지 하게 된 ‘알리드’. 사랑하면 안 되는 한 남자를 사랑해서 모진 아픔의 시간을 견디며 살아왔던 그녀는 친언니의 손녀 ‘자라’가 찾아오면서 또다시 격동의 인생을 맞게 된다.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.