Loyola O'Connor

Lola Daintry (MacDonald) is an actress who's mad at the world, and especially ministers, one of whom -- her father -- was so cruel that he drove her mother out of the house. When Bully Haynes (Melbourne MacDonald) wants her help in showing up a group of South Seas missionaries, she's more than happy to assist. But Lola doesn't realize she's being used so that Haynes can gain control over the copra trade from his rival, Cyrus Flint (Robert Ellis).

A traveling preacher has, through his faith, the power to heal, but loses it when he falls in love. Considered lost.

After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The first of the two was 'The Fall of Babylon', which depicts the conflict between Prince Belshazzar of Babylon and Cyrus the Great of Persia.

A young man infiltrates the underworld by pretending to be a convicted burglar. While undercover, he meets a young woman who turns out to be no more a part of gangland than he, but with similar reasons for disguising herself.

Susie secretly loves her neighbor, William Jenkins, but neither, it seems, can confess their feelings for each other.

A 1917 film directed by Paul Powell.

A 1917 film directed by Lloyd Ingraham.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

What will become of the Children in a home divided....

서로 다른 시기에 발생한 이야기를 동시에 진행한, 구성이 매우 복잡한 흑백 작품으로, 20세기 초 미국 젊은이들의 고민, 16세기 유럽 종교개혁 시기의 위그노 학살, 예수의 생애에 대한 에피소드, 고대의 바빌로니아 이야기가 동시에 등장한다. 선구자적인 이런 시도는 다음 세대 영화인에게 영감의 원천이 되었다. 시간적으로는 서양 고대에서 20세기 현대를, 공간적으로는 오리엔트에서 출발해 지중해를 지나 서유럽을 거쳐 미국 역사를 동시에 다루었다. 흥행에는 실패하였지만 데이비드 와크 그리피스는 이 작품으로 영화 예술의 아버지라 불렸다.

Based on Henrik Ibsen's play from 1877.

H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.

When the son of a leader of a Paris underworld family known as The Apaches is arrested and tried in court, the boy's mother asks the judge for mercy, but he refuses. In retaliation, the family kidnaps the judge's young daughter, and raises her to be one of their own, schooling her in the ways of crime.

A teenage orphan is taken in by a childless couple and quickly falls for the boy next door.

A 1916 film directed by Lloyd Ingraham.

To the dismay of Allison Edwards, her bookworm, adoring neighbor, Mary Randolph, falls in love with and marries Jack Van Norman, a rich and handsome former football star. After a few months of marital contentment, Jack becomes infatuated with Rose, an exotic dancer.

Drama in which Hélène, the owner of a large company goes to work in her own factory, to find out that its staff working in poor working conditions.

Terrorized by Guido, her drunken and brutal father, Marie receives assurance from her dying mother that the Madonna will always protect her. The father reels in just after the mother has expired, too drunk to realize the woman is dead, and finding the whiskey bottle empty, abuses the child. Marie appeals to the image of the Madonna and Guido, in a frenzy of rage, smashes it on the floor. Horrified at the sacrilege, Marie screams.

Directed by Ulysses Davis, the screenplay was based on a story by Marc Edmund Jones. Long thought to have been a lost film, a copy was found and put on YouTube. The film is the only known surviving film in which director William Desmond Taylor appears as an actor. In 1964 Taylor's co-star Margaret Gibson, shortly before her death, reportedly confessed to having murdered him in 1921.