Karol Strasburger

A young TV producer struggles with his conscience when he becomes convinced that his TV program is covering up a lie, but the more he tries to reveal the truth the more uncertainty he discovers.

Told as a film within the film, the story concerns an aging actress. Ewa is a flamboyant, pushy actress whose career and love life have come to a dead end. She lives in a faceless housing development. She is totally engrossed in herself and dreams of making a comeback as a singer. But her overbearing personality time after time sets her into conflict with those she tries to work with in the theater and her bedroom.

December, 1981. World-class champion Ewa Jaskólska is looking forward to a cruise around the world with her yacht. At her farewell party, several people are present that are connected to the new Solidarnośc movement. The guests are filmed by a TV journalist. The introduction of the martial law in Poland leads to problems for all people involved. Can Ewa go back to her home country after these dramatic changes in Poland?

A Polish thriller. Central story is a duel between criminal-on- the-run (Linda) and the cop (Machalica) who put him behind the bars the first time around.

Poland 1946. Militia looks for commander of anticommunist partisans called Grom (Thunder). It quickly comes out that militiamen have to discover a rat in their group.

Tereza lives and works in Prague. She meets a handsome man, Tommie, speaking in a language incomprehensible to her. It seems that he is the manager of the Finnish ice hockey team. A love story starts to blossom. When the coach of the Czech ice hockey team tries to use Tereza to retrieve information about the strategy of the Finnish team, Tommie leaves Tereza. Will Tereza be able to clear up this misunderstanding?

Warsaw 1941. Gestapo captures a Home Army soldier who knows the code needed to read the list of agents working in Reich. Tortured Wójcik asks the doctors for poison.

Released from prison after five years, con-artist Szu is sent packing by his young wife; he heads for the town of Lutyn where he runs a con and attracts the interest of Jurek, a young cab driver who imagines himself a great grifter. Szu ("Sharp") teaches Jurek a few tricks enabling the young man to win some money in Wroclaw, then Sharp departs with Jola, a prostitute who offers him a mark. How that plays out, Jurek's determination to win big, Sharp's cold calculations, and the wages of sin await.

Most important events of November Uprising in Poland.

Nights and Days is a family saga of Barbara Ostrzenska-Niechcic, (played by Jadwiga Baranska) and Bogumil Niechcic, (played by Jerzy Binczycki) against the backdrop of the January Uprising of 1863 and World War I. The film is a rather straightforward and faithful adaptation of a novel by Maria Dabrowska with the same title. The plot is woven around the changing fortunes of a noble (upper-class) Niechcic family in the pre-WWI Poland. There are two main crossing threads: a social history one and an existential one. The cinematographic version is a condensation of the 12 part award winning TV serial of the same title and using the same cast and producers.

Through some strange experiment, Siwiec, a journalist, gets moved back in time. In this new dimension, he encounters unforeseeable adventures.

Jerzy Szajnowicz-Ivanov, the son of Polish mother and Russian father, raised in Greece, reports to the Carpathian Brigade in the spring of 1941. Poles are wary at first. English recommend him to arrange the intelligence grid and sabotage in the Athens area. Soon the grid starts to work: intelligence flows, transports fly into the air, ships sink...

This intense chamber drama centers on an ambitious young industrial designer who is summoned home to help his father and sister. Both the aristocratic family he fled in shame and scorn, and their dilapidated country estate, bathed in an oppressively nostalgic light, prove ultimately inescapable.

University student Anna and her boyfriend Tomek use a precious photograph to trace and unveil the complex wartime and post-war past of their parents.