Anocha Suwichakornpong

Anocha Suwichakornpong

출생 : 1976-01-01, Chonburi, Thailand

약력

Anocha Suwichakornpong was born in Thailand 1976. She spent the 1990's living in England, where she attended universities and graduated with bachelor's and master's degrees. In 2006, she graduated from the MFA film program at Columbia University, where she was a recipient of Hollywood Foreign Press Association Fellowship. She attended the Talent Campus of the Berlin Film Festival in 2006, where her feature-length script, The White Room, was among the 15 projects chosen to participate in the Script Clinic. Her thesis film Graceland was selected for the 59th Cannes Film Festival's Cinefondation program. It was the first Thai short film selected for the Cannes Film Festival. It was also featured at the 2007 Sundance Film Festival and many other festivals.

프로필 사진

Anocha Suwichakornpong
Anocha Suwichakornpong

참여 작품

이리로 와
Screenplay
20대 중반의 친구 네 명이 제2차 세계 대전 기념관인 죽음의 철도 박물관에 방문하고자 깐짜나부리로 향한다. 이들의 이야기와 평행을 이루는 한 여자의 이야기가 있다. 그녀는 친구가 알 수 없는 이유로 자취를 감춘 뒤 숲에 홀로 남는다.
이리로 와
Director
20대 중반의 친구 네 명이 제2차 세계 대전 기념관인 죽음의 철도 박물관에 방문하고자 깐짜나부리로 향한다. 이들의 이야기와 평행을 이루는 한 여자의 이야기가 있다. 그녀는 친구가 알 수 없는 이유로 자취를 감춘 뒤 숲에 홀로 남는다.
Lemongrass Girl
Writer
According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.
Lemongrass Girl
According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.
Lemongrass Girl
Producer
According to Thai superstition, a virgin can ward off rain by planting lemongrass upside-down underneath an open sky. This belief remains prevalent to this day. As clouds begin to gather, Piano, the young production manager on a film set, is tasked to carry out this tradition. As her fellow female co-workers shy away from the duty, Piano is left with no choice but to take on the burden of becoming the lemongrass girl.
메콩 2030
Director
인도차이나반도의 다섯 나라(라오스, 태국, 캄보디아, 베트남, 미얀마) 감독들이 메콩강의 미래를 주제로 엮어낸 옴니버스 영화. 제각기 다른 시선으로 메콩강을 둘러싼 이야기들을 풀어 나가지만, 결국 기저에 깔려 있는 감정은 두려움이다. (제9회 디아스포라 영화제)
크라비 섬
Director
태국 남부의 대표적인 관광지로 꼽히는 크라비 섬은 태국의 선사 시대와 가까운 과거, 그리고 현재의 세계가 충돌하는 장소다. 한 영화인은 촬영지를 물색하기 위해 관광 가이드의 도움을 받아 섬의 구석구석을 탐방한다. 이곳에 살고 있는 한 노인은 과거에 권투선수로 살아 온 삶을 이야기한다. 광고를 촬영하기위해 섬을 찾은 배우는 네안데르탈인과 조우하는 기이한 경험을 겪은 이후 행동에 변화를 보인다. 이 모든 신비로운 경험은 장소와 시간의 상호작용에 대한 시적인 표현이며, 일반적으로 크라비 섬을 방문하는 외지의 관광객으로서는 쉽게 볼 수 없는 경험을 선사한다. 미래처럼 느껴지는 2562년은 사실 ‘불력’으로서 영화가 완성된 2019년을 나타낸다.
Nakorn-Sawan
Producer
Aoey seeks the Pak Nam Po River - believed to reach heaven - in order to send her mother, who recently passed away, to the afterworld. Early in the morning, she boards a boat with her father, other family members, and an old friend who is now a monk.
10 Min
Director
A Room with a Coconut View
Producer
A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.
The Ambassadors
Director
Rivers and Suwichakornpong’s first collaboration, commissioned by the 2018 Thai Biennale.
어둠의 시간
Dialogue
개개인이 바라보는 어두운 역사의 자락들. 한 영화인과 전직 활동가에서 작가로 전직한 그녀의 뮤즈, 누구와도 관계를 맺지 못하는 듯 보이는 이직한 웨이트리스, 로맨틱하게 엮인 배우와 여배우. 거의 보이지 않을 정도로 느슨하게 서로 얽혀 있는 이들 모두의 복잡한 삶의 진실이 조금씩 밝혀지기 시작한다. (2016년 제21회 부산국제영화제)
어둠의 시간
Screenplay
개개인이 바라보는 어두운 역사의 자락들. 한 영화인과 전직 활동가에서 작가로 전직한 그녀의 뮤즈, 누구와도 관계를 맺지 못하는 듯 보이는 이직한 웨이트리스, 로맨틱하게 엮인 배우와 여배우. 거의 보이지 않을 정도로 느슨하게 서로 얽혀 있는 이들 모두의 복잡한 삶의 진실이 조금씩 밝혀지기 시작한다. (2016년 제21회 부산국제영화제)
어둠의 시간
Director
개개인이 바라보는 어두운 역사의 자락들. 한 영화인과 전직 활동가에서 작가로 전직한 그녀의 뮤즈, 누구와도 관계를 맺지 못하는 듯 보이는 이직한 웨이트리스, 로맨틱하게 엮인 배우와 여배우. 거의 보이지 않을 정도로 느슨하게 서로 얽혀 있는 이들 모두의 복잡한 삶의 진실이 조금씩 밝혀지기 시작한다. (2016년 제21회 부산국제영화제)
Bangkok Stories
Director
The film features six themes of love in Bangkok's famous districts: Mo Chit, Yaowarat, Khaosan, Phahurat, Silom, and Sukhumvit in the hands of six different directors.
나이트폴
The chronicles of a day in the life of a nameless woman as she wanders around Singapore. Part documentary part video essay, 'Nightfall' is a fictionalized account of Suwichakornpong's time spent during a residency researching Thai politics in a foreign land.
나이트폴
Director
The chronicles of a day in the life of a nameless woman as she wanders around Singapore. Part documentary part video essay, 'Nightfall' is a fictionalized account of Suwichakornpong's time spent during a residency researching Thai politics in a foreign land.
How to Win at Checkers (Every Time)
Producer
An 11-year-old boy steals money for bribes to remove his gay older brother from Thai military conscription rolls, unaware of the ramifications.
Thursday
Writer
Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.
Thursday
Director
Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.
Coconut
Director
This film juxtaposes two kinds of documentary images, shown in parallel with each other: tourist footage from Myanmar of locals practising traditional handicrafts as a tourist attraction; and, the filmmaker’s recordings of the real, harsh handiwork of Myanmar workers turning coconut husks into fibre at a factory in a Thai town close to the Myanmar border.
Concrete Clouds
Producer
Amidst the post-economic crash, a man must return from abroad after his father committed suicide. After return home, he must confront his past and struggle to hold on to his present.
Lublae
Director
Lublae is a district in northern Thailand that used to be known as the 'hidden' land, due to its remote location ('lub' means 'hidden' in Thai). Others say that Lublae is a derivative of Lublang, the name of the forest in the area. 'Lang' means 'evening' in the language of Lanna (an old kingdom in present day northern Thailand) as the forest was so dense it often got dark before sunset. Legend has it that the residents of Lublae were all women and that they tolerated no lies, no matter how small.
Overseas
Screenplay
Hyper-realistic minidrama. An afternoon in the life of fish processing plant labourer Wawa Kai, one of the many migrants from Myanmar working in factories in Thailand. The film follows her every move, revealing what looks like a routine day, but in fact it's a scary one for her, as she reports a crime.
Overseas
Director
Hyper-realistic minidrama. An afternoon in the life of fish processing plant labourer Wawa Kai, one of the many migrants from Myanmar working in factories in Thailand. The film follows her every move, revealing what looks like a routine day, but in fact it's a scary one for her, as she reports a crime.
In April the Following Year, There Was a Fire
Producer
Nuhm is a construction foreman working in Bangkok. The political instability in Thailand has making its presence felt in all business sectors. Nuhm suddenly finds himself out of jobs. He decides to leave Bangkok to go back to his hometown in the northeast of Thailand to attend his high school friend’s wedding during the Thai New Year in April which also happens to be the hottest month of the year. Nuhm reunites with his old friends at the wedding in Khon Kaen.
Breakfast Lunch Dinner
Director
Helmed by three female directors, this omnibus features three films set in China, Thailand and Singapore respectively. Each story occurs at a specific mealtime, and seeks to interpret the frailties and complexities of love through different Asian perspectives. All three stories are tethered with the question, "Will you marry me?" Mirroring the repasts themselves, Breakfast and Dinner are heavier in tone, while Lunch is light with a sprinkle of humor.
Mundane History
Producer
Explores the relationship between Ake, a young man who is paralyzed from the waist down after an accident, and Pun, the male nurse who takes care of him, and of course Ake's father. Ake is at first cold towards his nurse Pun, but as Pun continues to earnestly take care of him he starts to open up his heart through candid conversations. The physical contact with Pun makes him rethink physical desires that he wants to forget. The grudge he held against his father slowly abates. All of this slowly becomes the motivating factor to confirm that he is alive, albeit with physical problems.
Mundane History
Writer
Explores the relationship between Ake, a young man who is paralyzed from the waist down after an accident, and Pun, the male nurse who takes care of him, and of course Ake's father. Ake is at first cold towards his nurse Pun, but as Pun continues to earnestly take care of him he starts to open up his heart through candid conversations. The physical contact with Pun makes him rethink physical desires that he wants to forget. The grudge he held against his father slowly abates. All of this slowly becomes the motivating factor to confirm that he is alive, albeit with physical problems.
Mundane History
Director
Explores the relationship between Ake, a young man who is paralyzed from the waist down after an accident, and Pun, the male nurse who takes care of him, and of course Ake's father. Ake is at first cold towards his nurse Pun, but as Pun continues to earnestly take care of him he starts to open up his heart through candid conversations. The physical contact with Pun makes him rethink physical desires that he wants to forget. The grudge he held against his father slowly abates. All of this slowly becomes the motivating factor to confirm that he is alive, albeit with physical problems.
Real
Director
How do you speak to your mother after her death? The second film in the trilogy Like. Real. Love., which broaches questions of love, death, and reality.
Black Mirror
Director
A kaleidoscopic video essay exploring the state of contemporary Thailand.
제이
Editor
A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.
제이
Writer
A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.
제이
Director
A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.
Graceland
Writer
A man and a mysterious women explore Bangkok over the course of one night.
Graceland
Director
A man and a mysterious women explore Bangkok over the course of one night.
Ghosts
Script
Ghosts
Director
ASR
Director
Focuses on a woman who lives across time and is an eyewitness to the collapse of the three kingdoms of Siam, as Thailand was then known.
Old Heart
Director
A study of a heritage site and the tourists who populate it. A classic by Sam Cooke is used to Comment on the nature of things.