Fredrik Wenzel

An aspiring toy designer’s work visa runs out, and a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.

부유한 패션 모델과 인스타그램 인플루언서 커플 등이 호화 유람선에 올라탄 뒤 이 배가 좌초되면서 유일하게 낚시를 할 줄 아는 청소부를 중심으로 계급관계가 반전되는 이야기

Life in hypermodernity seen from the cosmic perspective in a visionary masterpiece, where time and space transcend the human scale.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.

‘더 스퀘어’라는 새로운 전시를 앞둔 스톡홀름 현대 미술관 수석 큐레이터 ‘크리스티안’ 누구보다 완벽했던 그에게 예측불허! 기상천외한 트러블이 빵! 빵! 터지기 시작했다. 통제 불가! 짜증 유발! 그럼에도 불구하고, HELP HIM, PLEASE!

늘 일에 쫓기는 남편 토마스는 오랜만에 가족들과 휴가를 즐기기 위해 아내 에바, 딸 베라, 아들 해리와 함께 알프스 산맥에 위치한 스키 리조트에서 즐거운 시간을 보낸다. 둘째 날, 그림같이 눈 덮인 야외 리조트 식당에서 함께 점심을 먹고 있는데 갑자기 산꼭대기에서 엄청난 양의 눈덩이가 쏟아져 내려오기 시작한다. 이것이 진짜 눈사태인지 아닌지 모두 혼란스러워하는 순간, 엄청난 굉음과 함께 식당으로 돌진하는 눈에 에바와 아이들은 공포에 휩싸여 토마스를 찾는다. 찰나의 순간 토마스는 본능적인 결정을 하게 되고, 그 결정은 한 가정의 가장인 그를 예상치 못한 위기로 몰고 가는데...

MARIANNE (Evabritt Strandberg) is a 68-year old woman diagnosed with a terminal disease. Left with angst, she seeks therapy at a clinic where she is treated with Psilocybin (LSD) and meditation by a counselor, Eva (Hanna Schygulla). Through this she is transferred to her subconscious, where she meets and confronts her 25-year old self and her former husband.

MARIANNE (Evabritt Strandberg) is a 68-year old woman diagnosed with a terminal disease. Left with angst, she seeks therapy at a clinic where she is treated with Psilocybin (LSD) and meditation by a counselor, Eva (Hanna Schygulla). Through this she is transferred to her subconscious, where she meets and confronts her 25-year old self and her former husband.

MARIANNE (Evabritt Strandberg) is a 68-year old woman diagnosed with a terminal disease. Left with angst, she seeks therapy at a clinic where she is treated with Psilocybin (LSD) and meditation by a counselor, Eva (Hanna Schygulla). Through this she is transferred to her subconscious, where she meets and confronts her 25-year old self and her former husband.

MARIANNE (Evabritt Strandberg) is a 68-year old woman diagnosed with a terminal disease. Left with angst, she seeks therapy at a clinic where she is treated with Psilocybin (LSD) and meditation by a counselor, Eva (Hanna Schygulla). Through this she is transferred to her subconscious, where she meets and confronts her 25-year old self and her former husband.

A woman in a dark blue burqa directs, without a word, four other women in a room. The Five Senses is a sensuous play with power and hierarchy where traditional roles and identities are challenged.

In 2005 Beverly Charpentier declared an oath of allegiance to French writer Catherine Robbe-Grillet. In doing so she gave up her freedom for the rest of her life. The Contract portrays two strong women's unconventional love story, two women who have chosen to explore their love in a unique way, without compromise.

A descent into hell, Jesper Ganslandt's disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.

A film about iconic Swedish indie pop band Broder Daniel as they reunite during the summer 2008 before their last ever performance as a group. A concert held in honor of guitarist Anders who committed suicide earlier this year. It is a performance, and a portrait and a last goodbye from a band with more unconditional willpower than any other.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.

The last summer the five boys are together in Falkenberg. They are now grown up to be young men, on their way out into the world. At least most of them.

The last summer the five boys are together in Falkenberg. They are now grown up to be young men, on their way out into the world. At least most of them.

Stefan is a man with a violent past. His skills come in handy when he tries to help a Bosnian stripper find her father who is hiding somewhere in Sweden.

When the entertainment system suddenly stops working on board a long-haul flight, the passengers are stuck with no screens to look at.