Johannes Holzhausen

The simple staple bread has become a branded product with an increasing number of varieties and providers. The film provides authentic impressions in today’s world of bread. We encounter small craft bakers as well as corporate CEOs whose professional work is our daily bread and ask the question: how do you see the future of our bread? And: what are we actually eating?

영화는 19세기 말에서 20세기에 이르기까지 붕괴한 가정의 전기적인 흔적들을 모아 담으며, 우연히 만나게 된 사람들이 이내 서로를 놓쳐 버리고 마는 양상에 관해 논한다. 현재는 그 다음 세대의 후손들이 사라져 가고 있는 상황이다. 결국 이것은 대화와 침묵, 첫사랑과 행복의 상실에 관한 이야기다.

A lost monarchy is represented by a princess whose steadfast mission is to restore to her dynasty real political and economic responsibility in contemporary Romania. With great energy, sometimes funny slips, too, but mostly with the appropriate royalist seriousness, Princess Margareta of Romania plays her role as the subject and object of her own campaign. The performance is of the tale of new wine in old wineskins. Surrounded by her courtly entourage, Margareta travels through “her” country in the same old royal train, on the same royal route, in which her father, King Michael the First already sought contact with his subjects. It goes without saying that the red carpet as the most obvious symbol of monarchist grandeur must be immaculate even at the tiniest stop – though this isn’t always achieved perfectly.

위대한 리노베이션이 시작된다. 큐레이터, 전시 기획자, 보존처리사 등 박물관 사람들과 함께 비엔나 미술사 박물관의 개축과정을 따라간다. 벽을 뜯고 바닥을 까는 내부 수리에서, 전시장 작품 배치, 박물관 예산을 둘러싼 신경 전, 전시품 경매의 은밀한 현장까지! 현대적인 박물관으로 재탄생하기 위한 과정을 생생하게 엿본다. 차분하고 조용하지만 그 장엄함에 압도될 것이다. (2014년 제11회 EBS국제다큐영화제)

위대한 리노베이션이 시작된다. 큐레이터, 전시 기획자, 보존처리사 등 박물관 사람들과 함께 비엔나 미술사 박물관의 개축과정을 따라간다. 벽을 뜯고 바닥을 까는 내부 수리에서, 전시장 작품 배치, 박물관 예산을 둘러싼 신경 전, 전시품 경매의 은밀한 현장까지! 현대적인 박물관으로 재탄생하기 위한 과정을 생생하게 엿본다. 차분하고 조용하지만 그 장엄함에 압도될 것이다. (2014년 제11회 EBS국제다큐영화제)

미국 아방가르드 영화의 핵심적 인물이 된 마야데렌의 전설적인 일대기를 흥미롭게 재구성하여 그려낸 마르티나 쿠드리첵의 장편 다큐멘터리. 영화, 안무, 무용, 제의, 부두교 등 마야 데렌의 삶의 주요 테마들에 촛점을 맞추고 그녀의 페르소나를 찾아가는 이 작품은, 20세기 중요한 여성 선구자, 마야데렌의 궤적을 따라 그녀의 삶의 장소와 사람들을 만나며 ‘마야데렌의 자화상’을 그려낸다.

"Ceija Stojka" is a portrait of 64-year-old Austrian Rom Ceija Stojka, who, after a nomadic childhood, settled in Vienna many years ago. In the recent past, Ceija Stojka’s fame as an author, painter and singer has spread outside Austria. She represents the opening of Rom and Sinti society to the world of the "gadje." This process and all the difficulties it involves is unique in the history of the Rom in Central Europe. The central theme of this documentary is the fusion of two extremely different worlds in this fascinating woman. Beginning with Ceija Stojka’s present life, her biography is reconstructed in this film portrait. At the same time, a critical chronology of images portrays the common associations with the "gypsy," examples of which pervade Ceija Stojka’s life. A comprehensive consideration of the gypsy’s image, from romanticized projections to images of exclusion, discrimination and destruction, and finally the present ambivalent relationship between Rom and non-Rom.

For years the warships of the Soviet navy have been on sale. The destination of these ships on sale is Alang, a beach near Bombay. The cinematographic voyage shows a part of the last voyage of the cruiser "Admiral Fokin".

For years the warships of the Soviet navy have been on sale. The destination of these ships on sale is Alang, a beach near Bombay. The cinematographic voyage shows a part of the last voyage of the cruiser "Admiral Fokin".

For years the warships of the Soviet navy have been on sale. The destination of these ships on sale is Alang, a beach near Bombay. The cinematographic voyage shows a part of the last voyage of the cruiser "Admiral Fokin".

For years the warships of the Soviet navy have been on sale. The destination of these ships on sale is Alang, a beach near Bombay. The cinematographic voyage shows a part of the last voyage of the cruiser "Admiral Fokin".

Haymon Maria Buttinger, a legendary Austrian prop master, singer and actor. A showman in front of the camera and his great dream of being Macbeth, Quasimodo and Jeckyll-Hyde just once. The portrait of a friend.

Shifting between a suburban hostelry, domestic harmony and the idyllic setting of the Prater funfair, Johannes Holzhausen's documentation is a respectful and sympathetic observation of the long-term relationship between two people leading an unspectacular existence on the edge of society. A retrospective view of an unhappy life from the perspective of happier times.

Shifting between a suburban hostelry, domestic harmony and the idyllic setting of the Prater funfair, Johannes Holzhausen's documentation is a respectful and sympathetic observation of the long-term relationship between two people leading an unspectacular existence on the edge of society. A retrospective view of an unhappy life from the perspective of happier times.