It is the story of resilience of a mother and her son, each living with a chronic degenerative disease, and how they reconcile with each other when they accept that their disease has united and transformed them forever.
Victoria is auditioning for second violin at the prestigious string quartet lead by her teacher Antonio Montenegro. The night before the audition, Victoria attends a cocktail party with the intention of remaining on his good side.
Lupita
After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.
Monica
"The Times of Héctor" - Hector is a lonely man who attends suicides in Mexico City. Monica is a young woman who longs for death. Their meeting will unleash unsuspected consequences for both.
Ana
Just outside her apartment, Ana finds Dina, a naked, mysterious and confused young woman. Ana invites Dina in and calls a couple of persons so that they can meet her. Pamela and Raymundo, human traffickers, show up to negotiate the buying of Dina, who claims that she comes from the future and that she is actually on a mission to investigate how far human evil has grown in Mexico by the year 2015. The young woman provokes an unsolvable dispute between the traffickers, who end up dead.
Cassandra
The love between Casandra and Nicolás is put to the test the night in wich Petru Beklea invites them to watch SÂNGE, an unconventional horror film.
Sunny
에밀리아노는 영화 감독의 눈으로 삶을 바라보며 객관적 현실과 예술적 창조를 결합하곤 한다. 영화를 촬영하면서 그의 세계는 점점 카메라 렌즈에 갇히게 되는데......
Two small girls in a pink world see a little more of their reality while their father figure falls apart.
Alejandra
"Everybody's Got Somebody... Not Me" - Alejandra is sick of her daily life and her past relationships that have not worked out. Then she meets María, an adolescent, with whom she has an affair. At first everything runs smoothly, however Alejandra´s personality and her emotional needs prove increasingly demanding; being around her becomes unbearable. At this point, they ask themselves whether they should continue the oppressive relationship, or go on with their ordinary lives.
