Bruce Torbet

참여 작품

브레인 데미지
Director of Photography
A normal, average guy who lives in New York City becomes dependent on an evil, disembodied brain.
브레인 데미지
Sound Editor
A normal, average guy who lives in New York City becomes dependent on an evil, disembodied brain.
스트리트 트래쉬
Paulie
A group of hobos begin melting into multicolored piles of goo after drinking sixty-year-old liquor. At the same time, the psychotic Vietnam War vet who rules the hobo camp snaps and begins killing at random. Two brothers set out to stop the liquor and the killer.
Street Trash
Poulie
The original 16mm short film which inspired the film of the same name
바스켓 케이스
Director of Photography
드웨인 브래들리가 허리 한쪽에 머리와 팔만 달린 기괴한 모습의 형제 벨리얼을 달고서 샴쌍둥이로 태어나 자랐는데 아버지와 의사들이 분리 수술을 시도해 성공했지만.. 두 사람이 텔레파시로 연결되어 있어 드웨인이 쓰레기통에 버려진 벨리얼을 찾아내 형제를 무참히 버린 것에 분노하여 아버지를 해친 후, 유일하게 자신들의 존재를 인정해 준 유모 밑에서 살면서 성인이 된 다음.. 유모가 세상을 떠난 것을 계기로 드웨인이 벨리얼을 바구니에 넣어 분리 수술에 책임이 있는 의사들을 찾아다니며 몰살시키는 이야기
Slash of the Knife
Player
Parody focused on the horrors of being uncircumcised.
Crush Proof
Cinematography
A young man recalls his affair with a young French woman who traveled with him across the United States. They began to drift apart during the trip, and eventually each had affairs with other people before realizing that their relationship had run its course.
Murder à la Mod
Director of Photography
Naive young Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho-prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.
Andy Makes a Movie
Director
This pop movie about Warhol includes appearances by Henry Geldzahler, Edie Sedgwick and The Velvet Underground.
Superartist
Editor
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.
Superartist
Cinematography
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.
Superartist
Producer
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.
Superartist
Writer
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.