Héctor Ruíz

An ode to the terrible yet beautiful but fleeting life.

On March 17, 2004, an explosive device was activated at the Piloto Public Library in Medellín, where much of the photographic archive of Colombian history is kept. A photograph is the only evidence of this barbarism.

On March 17, 2004, an explosive device was activated at the Piloto Public Library in Medellín, where much of the photographic archive of Colombian history is kept. A photograph is the only evidence of this barbarism.

Intimate story of a small family, starring Marian, only daughter of Dr. and Mrs. Di Mateo, who after several years of living in Mexico returns to his hometown Mendoza, because her father is dying; although the true intent of her return is to say what was sealed by the silence of the unspoken in an exemplary family as such as her mother claims to sustain.

Maria is a girl who loves to cook and lives with his grandmother, Doña Tere, in Mexico City's downtown. Doña Tere has a traditional Mexican restaurant called "El Molcajete". After the death of her daughter, Doña Tere abandoned his passion for cooking and stopped working in "El Molcajete", now operating under the direction of chef Rosi. Maria does everything possible to bring her grandmother back to the restaurant, while chef Rosi cooks dishes according to new trends in fusion cuisine which highlights the light food, but Maria and Doña Tere won't accept the traditional flavors and cooking secrets to be forgotten. The cuisine battle between Tere and chef Rosi is an epic fight not only between long-stablished mexican food and light food, but also a struggle of family bonds, friendship, cooking secrets, flavour’s passion and more than two hundred ingredients that are needed in order to prepare Mole, a traditional mexican sauce.

Director Pedro came to Japan in April 2011, started shooting in the village Totsukawa of Nara Prefecture. He, as Himotoku, began to spin the story with his camera instead of a brush…

Director Pedro came to Japan in April 2011, started shooting in the village Totsukawa of Nara Prefecture. He, as Himotoku, began to spin the story with his camera instead of a brush…

필 콜슨 요원은 뉴멕시코에서 발생한 기현상을 조사하기 위해 닉 퓨리의 지령을 받고 토니 스타크의 말리부 맨션을 떠나 뉴멕시코로 향한다. 콜슨은 중간에 주유소에 들러 기름을 넣고 딸려있는 편의점에 들어가 설탕가루 입힌 도넛과 초콜릿 도넛 중 어떤 걸 살지를 고민한다. 그 때 갑자기 편의점에 2인조 강도가 들이닥쳐 점원을 총으로 위협하는 상황이 발생하고, 강도들은 점원에게 밖에 있는 자동차는 누구 것이냐고 윽박지른다. 이에 콜슨은 자신의 차라며 깨알같게도 렌트카라고 하고 강도들의 시선을 돌리고, 강도들은 자동차 열쇠를 내놓으라고 지시하는데...

어느 저녁, 재스퍼 시트웰 요원이 식당에서 간단한 식사를 하던 중에, 필 콜슨 요원이 식당 안으로 들어온다. 시트웰이 콜슨에게 '그들이 어벤져스 계획을 거부했나요?'라 물어보자 콜슨은 '그렇진 않은데 그쪽에서 멍청하게도 에밀 블론스키를 어벤져스에 끌어들이려 한다'고 답한다. 시트웰은 할렘 사건의 주범 아니냐며 놀라나 콜슨은 이사회가 그 사건이 배너 박사의 소행으로 여기고 있다고 하며 오히려 블론스키를 전쟁 영웅으로 생각하고 있다고 전해주는데...

A race against time between a man whose son requires urgent treatment and a stockbroker who suddenly lost his investors' money and ruined his own family.

A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

This drama features three stories about the bonds between children and absent parents. A Cuban boy who lives in poverty with his mother longs to visit his father in the United States, a Moroccan girl attempts to reunite with her father, and in Mexico, and a boy disobeys his father to visit a strange lagoon. These related vignettes showcase the powerful hold that parents have upon their children, which often remains strong despite their absence.