Ezequiel Díaz

Sergio, Mali and Luz reluctantly agreed to spend Christmas in the country with their mother; in part because of the guilt they feel about saying no when she has just come out of the hospital after a heart attack, but also because it would be nice to escape from their frustrations for a while.

Sergio, Mali and Luz reluctantly agreed to spend Christmas in the country with their mother; in part because of the guilt they feel about saying no when she has just come out of the hospital after a heart attack, but also because it would be nice to escape from their frustrations for a while.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

피노체트 군부 독재가 극에 달한 1980년대 산티아고에서 예기치 못한 로맨스가 싹튼다. 늙고 가난한 신세로 전락한 크로스드레서 “퀸”은 어느 밤 청년 게릴라요원 카를로스의 도움을 받아 위기를 모면한다. 카를로스는 퀸에게 물건을 맡아 달라고 부탁하고, 호의로 부탁을 들어준 퀸은 자신의 아파트에 보관된 상자 속에 피노체트 정권을 무너뜨릴 무기가 들어있다는 사실을 모르는데…

A camping trip for a group of friends turns into an unexpected nightmare when one of them encounters a mysterious stranger.

Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

이상주의자인 영화제작자 세바스찬(가엘 가르시아 베르날, 모토사이클 다이어리)은 시니컬한 프로듀서 코스타(루이스 토사, 리미츠 오브 컨트롤)와 크리스토퍼 콜럼버스의 미국 정복 이야기에 대한 새로운 시각의 영화를 만들기 위해 볼리비아에 도착한다. 하지만 영화 촬영이 시작되자, 지역 주민들이 수도 공급을 장악한 다국적 기업에 대항해 시위를 시작한다. 영화 촬영이 어려워지자, 두 사람의 신념은 흔들리게 된다. 2000년 볼리비아에 실제 일어났던 물 전쟁에 영감을 받아 제작된 ‘이븐 더 레인’에서는 스페인 제국주의의 영향을 살펴본다. 압박과 500년이 지난 지금까지도 착취와 압박에 대항해 계속해서 저항하고 있는 원주민들의 모습이 시사하는 바가 크다.

After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.

Jorge is an old artist, actor and director, who says he wants to direct a film about the Latin American wars of independence. Charito is a young woman who comes from the Peruvian jungle to work as a maid in Buenos Aires. The unconscious of the protagonists bursts in the form of dreams, visions and fantasies amid horses, fencing sessions, fragments of lost films and anthropological videos.

혁명의 성공으로 쿠바에서의 모든 일이 끝났다고 판단한 체 게바라는 편지 한 장만을 남긴 채 홀연히 사라진다. 그 후 그는 볼리비아 혁명군의 리더로 게릴라 전을 펼치지만 부족한 자원과 외국인을 불신하는 국민들로 인해 일생일대의 위기와 마주하는데…

While the whole world gets shocked by news on life on Mars, a group of friends lives imprisoned in a mechanical choreography, a farce that can hardly be considered as life.