Måns Månsson

1973년 여름, 다섯 명의 남성과 여섯 명의 여성은 소형보트 ‘아칼리’에 몸을 싣고, 장장 101일에 걸쳐 대서양을 가로지르는 해양과학모험을 떠난다. 멕시코 인류학자 산티아고 헤노베스가 처음 착수한 이 실험은 폭력의 근원과 성적 매력의 역학관계를 탐구하기 위한 것이다. 보트에 오른 열한 명의 사람들은 전세계에서 엄격한 기준을 거쳐 선발되었는데, 특히 피실험자의 종교와 성별, 국적을 다양하게 유지하여 선상에서의 갈등을 극대화하고자 하였다.

68세 여인 노젯은 스톡홀름 시내의 고층아파트를 유산으로 상속받아 긴 해외 생활을 마치고 귀국한다. 하루빨리 처분하기 위해 건물의 실태를 파악하던 노젯은 의붓형제와 그 아들이 아파트를 전대하고 엉망으로 관리해 왔음을 알고 특단의 조치를 취한다.

68세 여인 노젯은 스톡홀름 시내의 고층아파트를 유산으로 상속받아 긴 해외 생활을 마치고 귀국한다. 하루빨리 처분하기 위해 건물의 실태를 파악하던 노젯은 의붓형제와 그 아들이 아파트를 전대하고 엉망으로 관리해 왔음을 알고 특단의 조치를 취한다.

68세 여인 노젯은 스톡홀름 시내의 고층아파트를 유산으로 상속받아 긴 해외 생활을 마치고 귀국한다. 하루빨리 처분하기 위해 건물의 실태를 파악하던 노젯은 의붓형제와 그 아들이 아파트를 전대하고 엉망으로 관리해 왔음을 알고 특단의 조치를 취한다.

멀지 않은 미래, 4살 된 지미와 그의 아버지는 대혼란에 빠진 조국 스웨덴을 등지고 안전한 나라를 찾아 긴 여정을 떠나게 된다. 고단한 여정 속에서 같은 처지에 놓인 다른 난민들을 만나고 그들을 통해 삶의 희망을 보기 시작한다. 어린 자식과 부모의 애틋함이 잘 표현된 작품.

말뫼의 선착장 주차장에 수백 대의 차들이 똑같은 흰색 커버를 입고 정렬해있다. 직원들조차 이름대신 번호로 호명되는 이곳에서 일하게 된 한 시인은 이제 11811로 불린다. (2016년 제17회 전주국제영화제)

The film follows the performative duel, or fara fara (meaning face-to-face in Lingala) between two of the DRC’s biggest stars, Koffi Olomide and Werrason. Papa Wemba announces the face-off to an enormous gathering at two adjacent stages where the superstars and their entourages compete in an epic test of musical endurance and style to see who can win by playing the longest.

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?

94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?

The Swedish artist Måns Månsson has placed a fictional character in a real environment to explore the fascinating new relationship that has arisen between Africa and China, where democracy is one commodity among many others. No dialogue was written in advance, and the minimal story about the worthless t-shirts is just a pretext to conduct a cinematic experiment set in the Chinese city, where tens of thousands of African migrants are in the process of establishing themselves and creating a new life, in a historical parallel to the exchange that has always taken place between East and West. But this time, the West is not invited to the party. However, the reference to the lost souls in the American photographer William Eggleston's film of the same name suggests a tragicomic and existential absurdity independent of time and place.

Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...

Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...

Retired police detective Roland Hassel (Lars-Erik Berenett, who played Hassel on TV in the 1980s) is determined to solve the 1986 assassination of Swedish Prime Minister Olof Palme. Without access to police files, however, the best he can manage is to attend an inept re-enactment on the 25th anniversary of the murder...

클럽 프로모터인 60세의 얀네는 예전 사업 파트너이자 절친한 친구인 클라스와 함께 ‘아발론’이라는 최고급 나이트클럽을 개장할 준비로 바쁘다. 이들은 나이만 먹었을 뿐, 여전히 10대 시절의 사고방식을 벗어나지 못한 채 향락적인 삶에 빠져 있다. 나이가 들어도 결코 생각이 자라지 않는 어른들, 책임이란 것을 배울 줄 모르는 어른들에 대한 이야기.

Doktor Glas face ethical complications when a woman, Helga Gregorius, asks for help in preventing her husband, the disgusting Pastor Gregorius, to have sex with her.

Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.

Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.

Over a year, we follow the former Swedish Minister of Defense, Anders Björck, in his work as governor of Uppsala County. The official position is almost 400 years old, and the job consists of sitting at a big desk, having lunch meetings with other governors, cutting ribbons at opening ceremonies, holding speeches and eating dinner with the King and Queen of Sweden. It is hard work, but someone has to do it. Björck gives the viewer full access, making this personal portrait both humorous and very, very serious.