Director
Director
힙합부터 크럼프, 브레이크 댄스, 보깅까지. 30인이 펼치는 댄스 공연이 시작된다. 클레망 코지토레 감독과 안무가 뱅투 뎀벨레의 새로운 도전이자, 파리의 바스티유 오페라 극장 사상 초유의 공연. 이 공연은 현대의 댄스와 오페라를 결합하여 장 필리프 라모의 바로크 시대 명작 "우아한 인도의 나라들"을 재해석한 작품으로, 리허설부터 공연까지 인류의 모험과 다양한 정치적 세계의 만남을 보여준다. 새로운 세대의 아티스트들이 펼치는 공연이 바스티유를 뒤흔들 수 있을까? 라모는 1735년 식민지 확장 중이던 프랑스를 배경으로 '오염되지 않은 야만인(Noble Savage)'의 이야기를 "우아한 인도의 나라들"을 통해 담아냈다. 2019년, 사상 처음으로 파리의 바스티유 오페라 극장의 무대를 장악한 한 세대의 댄서들을 영화로 그려낸 필리프 베지아. 유럽 역사를 배경으로 바로크 시대의 명작을 재조명한다.
Director
As part of the 2019 Aix-en-Provence Opera Festival, filmmaker Christophe Honoré delivers an innovative staging of Giacomo Puccini's famous drama. His cleverly staged "opera within the opera" is a melancholy homage to the fascinating figure of the diva, who thrives on art and love and upsets the laws of time and death.
Director
Director
How can emotion come to light on the opera set? Does it come from singing, acting or music? How can someone become the incarnation of Verdi's masterpiece? Following world famous French soprano Natalie Dessay from the first repetitions until the premiere under the direction of Jean-François Sivadier, we meet a very special woman, a piece of art, a myth: LA TRAVIATA.
Director
Director
Among DVDs of "Hoffmann" currently available, this is the only one that even begins to stand comparison with the superlative Powell and Pressburger film (whose ideas it occasionally borrows). Olivier Py's baroque imagination, which sometimes leads him into self-indulgence and incoherence, is well suited to bringing out this opera's darkness and he does an excellent job
Director
LA PIETRA DEL PARAGONE (The Touchstone) concerns the Count Asdrubale who is wealthy and therefore of great interest to many women – notably Aspasia, Fulvia, and Clarice. Only Clarice, however, loves him for something other than his riches. There are also male hangers-on: the corrupt journalist Macrobio, the poetaster Pacuvio, and Giocondo, who is Asdrubale's true friend, but who has his own eyes on Clarice. To test his friends and would-be fiancées, Asdrubale pretends that he has been bankrupted. Sure enough, only Clarice and Giocondo stand by him, and when his fortune is "miraculously" saved, the three have the last laugh on everyone else... or do they? This production is set in what looks like the early 1960s. But the real innovation is the use of blue screen technology: using tiny cameras and sets, along gigantic screens hanging over the stage, a kind of video mixing makes the singers appear to inhabit any number of fanciful settings and perform a myriad of improbable actions.
Color Designer
Director of Photography
