Sumio Takatsu

참여 작품

Onihei's Detective Records
A criminal syndicate wants detective Onihei dead, but the resolute hero proves to be hard to kill.
Memoir of Japanese Assassinations
Eiji Furuuchi
This anthology film consists of nine incidents in the late 19th and early 20th centuries when assassins changed the course of Japanese history.
The Sands of Kurobe
Ono
Kitagawa is an engineer charged with construction of a gigantic tunnel through the Japan Alps for the transportation of equipment in the building of the massive Kurobe Dam. The tunnel crosses an earthquake fault and Kitagawa is beleaguered not only by cave-ins and flooding, but by strife between management and the workers's union. Adding to Kitagawa's stress is the knowledge that as his attention is pulled inexorably toward the tunnel construction, his youngest daughter is dying from leukemia.
Assassination
Otojirô Kôno
Assassination begins with the events of 1853 when "four black ships" anchored at Edo Bay, sparking civil unrest and the major political manoeuvring that saw the end of the Tokugawa Shogunate. At a time when assassination had become a disturbing political tool, Shinoda's film follows Hachiro Kiyokawa, an ambitious, masterless samurai whose allegiances drift dangerously between the Shogunate and the Emperor.
붉은 살의
사다코는 소심한 남편과 시어머니에게 부주의하다며 매번 꾸중을 듣는다. 그녀는 남편이 출장간 사이에 집에 침입한 히라오카라는 남자에게 강간을 당한다. 이에 사다코는 자살을 시도하지만 아들 때문에 감히 죽지 못한다. 이틀 후 히라오카는 다시 돌아와 사다코를 범하며 그 후로 사다코에게 강박적인 애정을 추구한다. 사다코는 히라오카를 떼어내기 위해 돈을 줘보기도 하지만 히라오카는 거절한다. 후지하라의 원작을 하세베 게이지와 이마무라 감독이 함께 각색해서 만든 작품. 이마무라 감독의 작품들, 예컨데 등에 등장하는 여성들은 사회적인 약자로 남성에게 강간을 당하거나 모진 수난을 겪기 일수다. 하지만 어떤 어려움 속에서도 좌절하지 않고 당당하고 강한 모습으로 거듭나는 것으로 그려져 이마무라 감독의 일관된 작품관과 여성관을 엿볼 수 있게 한다.
All My Children
Fusakichi's mother
School teachers responsible for the lives of their students work to evacuate Allied bombings near the end of WWII.
The Harbor Lights
The Story of Pure Love
Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.