Andreas Pichler

Alcohol: No substance in the world seems so familiar to us and is so incredibly diverse in its effect. Alcohol is available everywhere and this particular molecule has the power to affect all 200 billion neurons of our human brain in completely different ways. But hardly anyone calls alcohol a drug despite its psychoactive and cell-destroying effect. Why do we tolerate the death of three million people every year? Have we turned a blind eye to the dangers and risks for thousands of years? What role does the powerful alcohol industry play with an annual turnover of 1.2 trillion euros in this on-going concealment? The author, who himself enjoys having a drink, looks into the question why we drink at all, what alcohol does to us and to what extent the alcohol industry influences society and politics.

Alcohol: No substance in the world seems so familiar to us and is so incredibly diverse in its effect. Alcohol is available everywhere and this particular molecule has the power to affect all 200 billion neurons of our human brain in completely different ways. But hardly anyone calls alcohol a drug despite its psychoactive and cell-destroying effect. Why do we tolerate the death of three million people every year? Have we turned a blind eye to the dangers and risks for thousands of years? What role does the powerful alcohol industry play with an annual turnover of 1.2 trillion euros in this on-going concealment? The author, who himself enjoys having a drink, looks into the question why we drink at all, what alcohol does to us and to what extent the alcohol industry influences society and politics.

As thousands of migrants attempt to cross the French-Italian border on foot through treacherous mountain routes, the state cracks down on the local communities that come to their aid in this revealing look at an unfolding human rights crisis.

낙농산업의 전반을 살피면서 문제점을 조명하는 다큐멘터리

낙농산업의 전반을 살피면서 문제점을 조명하는 다큐멘터리

나이가 들어도 여전히 자유분방한 아르민은 행복을 느끼지도 못한 채 의미 없이 살아간다. 다음 날도 변한 건 하나도 없다. 단, 그를 빼놓고 모든 인간이 사라져버린 것만 빼놓고. 현대 독일영화를 대표하는 베를린파의 선두주자 울리히 쾰러가‘ 궁극의 자유’에 대해 던지는 질문.

The Ötztal Alps, more than 5300 years ago. A Neolithic clan leader must avenge the massacre of his people and theft of his holy shrine.

Aaron invites his girlfriend Lea and her 8-year-old son Tristan on a trip to the mountains. What could be a starting point of a new life together, slowly turns into difficult territory as the three fight for their positions within the new family.

How would you feel if the state sold the mountain above your village to a big multinational, your country's beautiful islands, its beaches or your great monuments? Strangled by debt, governments and public administrations all over Europe act like any indebted family: they try not only to reduce costs, but attempt to replenish their coffers by putting their most valued family possessions on the market. More often than not, this includes part of the countries' historical and natural heritage: castles, islands, mountains, beaches, palaces, ancient arenas and archaeological sites. But who really owns these properties? Aren't they our common heritage, our history that will end up in private or corporate hands and will no longer be accessible to all? Or is the private sector more efficient in managing these properties? And if so, who decides on the best deal? Are there democratic proceedings for the sale of our common good? The people of Europe want accountability.

Valentin is pretty p* off. After being confined to a wheelchair because of a snowboard accident, his mother forces him to participate in a theater project for people with disabilities - the diapers in his room and the initially arrogant roommate add insult to injury. The one and only redeeming feature of life at the facility for the handicapped is the lovely caretaker, Mira. Unfortunately Mira is going steady with a local slime-ball, Marc. Valentin decides to enter the fray against his sturdy and prosperous rival, and even carries it a step further: he decides to rob the gas station at which Marc works. With fervent enthusiasm, his house mates Lukas and Titus offer themselves as accomplices. With this the freshly hatched trio, heads off to procure a gun. Valentin discovers that although handicapped, his mates are hardly inept; they not only manage to pull off their heist, they become friends in the process. As we come to a showdown between the gas...

A documentary about the murder of Pier Paolo Pasolini.

A documentary about the murder of Pier Paolo Pasolini.

Tourism takes its toll on the inhabitability of Venice.

Tourism takes its toll on the inhabitability of Venice.

Silvio, One of us, shows the current political mood in Italy and through some portraits investigates the phenomenon of how far Berlusconi and his politics mirror Italy.

The story of Europe’s stay-behind network with names like GLADIO in Italy or SDRA8 in Belgium is one of the most powerfully hidden secrets of recent American and European history. NATO’S SECRET ARMIES examines three major terror attacks: The Brabant massacres in Belgium, The Oktoberfest bombing in Germany and the Piazza Fontana killings in Italy. Through the testimony of former terrorists, Gladio, ex-CIA agents, diplomats, prosecutors and police investigators the film pieces together the disturbing trail of influence behind each of the attacks and considers whether hundreds may have died at the hands of state sponsored terrorism. More chillingly, it asks whether the strategy of tension might still be in use today.

The story of Europe’s stay-behind network with names like GLADIO in Italy or SDRA8 in Belgium is one of the most powerfully hidden secrets of recent American and European history. NATO’S SECRET ARMIES examines three major terror attacks: The Brabant massacres in Belgium, The Oktoberfest bombing in Germany and the Piazza Fontana killings in Italy. Through the testimony of former terrorists, Gladio, ex-CIA agents, diplomats, prosecutors and police investigators the film pieces together the disturbing trail of influence behind each of the attacks and considers whether hundreds may have died at the hands of state sponsored terrorism. More chillingly, it asks whether the strategy of tension might still be in use today.

Few intellectuals have experienced as much admiration and hatred as Antonio Negri. His international best-selling book, Empire, a critical analysis of the new global economy coauthored with Michael Hardt, was hailed as a new manifesto for the 21st century, and turned Negri into a leading spokesperson for the international anti-globalization movement. Antonio Negri: A Revolt that Never Ends profiles the controversial life and times of this important moral and political philosopher, militant, prisoner, refugee, and so-called "enemy of the state." It traces his roots in the radical left-wing movements in Italy during the 60s and 70s, illustrated through incredible archival footage of strikes, factory occupations, terrorist actions, violent street confrontations, and government trials of dissidents. During these tumultuous decades Negri spent ten years in prison and fourteen years in Parisian exile, where he contributed to philosophical debates with authors such as Gilles Deleuze.