Tatiana Huezo

Tatiana Huezo

출생 : 1972-01-09, San Salvador, El Salvador

약력

Tatiana Huezo (El Salvador, 1970) studied film at CCC and Universidad Pompeu Fabra in Barcelona. She has taught at CENTRO, CCC and the ECAM. Her filmography as a director, photographer, and editor includes documentaries and short fiction films. She has served as judge at festivals such as FICUNAM, DocumentaMadrid and the Festival de Lima. Her first documentary film, El lugar más pequeño, has participated in more than 50 national and international festivals, earning more than 40 awards. She is now working on her second feature film, La Tempestad.

프로필 사진

Tatiana Huezo
Tatiana Huezo
Tatiana Huezo

참여 작품

The Echo
Editor
In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
The Echo
Producer
In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
The Echo
Screenplay
In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
The Echo
Director
In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.
잃어버린 것들을 위한 기도
Writer
멕시코의 산기슭 외딴 마을에서 마약 카르텔에 피해를 입은 이웃의 빈집은 점점 늘어나고, 안나와 친구들은 짧은 머리로도 감출 수 없을 만큼 여성스러운 모습으로 자라난다. 흙구덩이를 파서 대피 훈련을 해보지만, 남자들은 돈 벌러 도시로 떠나고 여자와 어린 아이들만 남은 마을에 다가오는 위협은 커져만 간다. (제26회 부산국제영화제)
잃어버린 것들을 위한 기도
Director
멕시코의 산기슭 외딴 마을에서 마약 카르텔에 피해를 입은 이웃의 빈집은 점점 늘어나고, 안나와 친구들은 짧은 머리로도 감출 수 없을 만큼 여성스러운 모습으로 자라난다. 흙구덩이를 파서 대피 훈련을 해보지만, 남자들은 돈 벌러 도시로 떠나고 여자와 어린 아이들만 남은 마을에 다가오는 위협은 커져만 간다. (제26회 부산국제영화제)
Tempestad
Editor
A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.
Tempestad
Screenplay
A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.
Tempestad
Director
A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.
The Empty Classroom
Director
Eleven award winning directors explore why nearly one out of every two students in Latin America never graduates high school.
Ver, oír y callar
Director
Dreams, voices that recount the violence in El Salvador, fights between gangs, mourning for the dead. And a feeling of fear that resonates in the words. On screen are girls, shown in the course of their daily lives, people who work, the details of their existence. A film that points at the deep disease of a society.
Absences
Director
Lulú wakes up amidst the silence of a house that has been emptied. Five years ago her eight-year-old son, Brandon, and her husband disappeared. The absence they left behind now makes her live in a limbo that is also inhabited by desire, hope and the fight to find them alive.
The Tiniest Place
Director
Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.
Sueño
Director
A woman’s body on a bed. The camera follows her silhouette and slides out of the window to frame an urban landscape on the water’s edge. The sky and the sea share the horizon. A breath of freedom emerges from the images, like a dream in the shade of summer. A short effort made as part of the Pompeu Fabra film school, in Barcelona.
Familia
Director
A farmer marries a neighbour’s daughter. When she falls ill, the man welcomes the woman’s sister into his home, forming an unusual family. They can’t have children. They adopt one, who is now married and has his own children. They all live together. A humanist film, against exclusion. In favour of sharing.
El ombligo del mundo
Cinematography
El ombligo del mundo
Writer
El ombligo del mundo
Director
Arido
Director
An arid landscape in which various people move around: a girl walks along holding a goldfish in a glass of water, children have fun with an empty bath tub, people at their window observe what’s happening. And finally, rain. Drought is treated with realism and oneirism in the filmmaker’s first work, made when she was still a film student.