Jill Craigie

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

Documentary about the outbreak of the war in former Yugoslavia that calls on the leaders of Europe to come to the aid of the stricken country.

Documentary about the outbreak of the war in former Yugoslavia that calls on the leaders of Europe to come to the aid of the stricken country.

A doctor's sophisticated wife joins him at his remote Asian practice to try and patch up their marriage. Increasingly violent friction between local rubber plantation workers and the authorities force both parties to make decisions.

An impoverished American sailor is fortunate enough to be passing the house of two rich gentlemen who have conceived the crazy idea of distributing a note worth one million pounds. The sailor finds that whenever he tries to use the note to buy something, people treat him like a king and let him have whatever he likes for free. Ultimately, the money proves to be more troublesome than it is worth when it almost costs him his dignity and the woman he loves.

Documentary arguing the case for equal pay for women. Women are seen employed in their homes, in factories, teaching, nursing, in politics and in the professions. There are also some newsreel shots of marching suffragettes.

Documentary arguing the case for equal pay for women. Women are seen employed in their homes, in factories, teaching, nursing, in politics and in the professions. There are also some newsreel shots of marching suffragettes.

Documentary arguing the case for equal pay for women. Women are seen employed in their homes, in factories, teaching, nursing, in politics and in the professions. There are also some newsreel shots of marching suffragettes.

1940s British realist film about the life and struggles of a family in a Welsh mining town.

1940s British realist film about the life and struggles of a family in a Welsh mining town.

The ill effects on children's bodies and minds of the chaotic conditions being countered by the endeavours of UNESCO. The film emphasises especially the problem of the devastated areas.

Drama and documentary are combined in this stylish and ambitious film, in which 3000 local people took part. The film delves into the complexities of rebuilding a city, showing frustrations along the way as well as vivid scenes of family life in trying circumstances.

Drama and documentary are combined in this stylish and ambitious film, in which 3000 local people took part. The film delves into the complexities of rebuilding a city, showing frustrations along the way as well as vivid scenes of family life in trying circumstances.

Drama and documentary are combined in this stylish and ambitious film, in which 3000 local people took part. The film delves into the complexities of rebuilding a city, showing frustrations along the way as well as vivid scenes of family life in trying circumstances.

Examines the role of art in WWII; featuring Henry Moore's drawings of London Underground during bombing raids, Paul Nash's paintings of aircraft dumps, Stanley Spencer's shipbuilding panels, Evelyn Dunbar's land girls, alongside many amateur artists too.

Examines the role of art in WWII; featuring Henry Moore's drawings of London Underground during bombing raids, Paul Nash's paintings of aircraft dumps, Stanley Spencer's shipbuilding panels, Evelyn Dunbar's land girls, alongside many amateur artists too.

Wartime commando story based on fact. Allied airman risks return (on the ground) to occupied France for the honour of his regiment.

Make-Up is a 1937 British drama film directed by Alfred Zeisler and starring Nils Asther, June Clyde and Judy Kelly. It was a circus film made by an independent production company at Shepperton Studios.