Leonid Bichevin

The legitimate heir to the throne in exile and the son of a murdered rebel — what do they have in common? Everyone has their own goal: one dreams of taking the throne and restoring his family to its former glory, the other - to take revenge on the murderer of his father, who serves the usurpers. Young men enter into a large-scale struggle for power and honor, in which those who seemed to be friends can betray, and former enemies can turn into allies. In order to achieve the goal, both the prince and the rebel's son will have to risk the most valuable and make the main choice in their lives — to go the preordained way or to oppose fate itself.

Russian troops occupied Paris. Russia became the first power in the world. Now everything seems possible. Young winners, guards officers, are sure that equality and freedom will come - here and now. For this they are ready to sacrifice everything - position, wealth, love, life ... and the country itself.

Renata's heroine silently walks through the fields, an autumn garden, an old mansion, an abandoned greenhouse to the lyric melody of Ludwig van Beethoven, only occasionally turning to the camera. In the frame, Litvinova appears as a brunette who wears long dresses to the floor, capes, hats and expensive jewelry.

The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film.

A chance meeting between Nicolai and Nina, a friend from the past, makes Nicolai return to an abandoned hotel in which, many years ago, he experienced his only love, full of tragedy and an overwhelming feeling.

Is secret cooperation with the government a respectable thing?.. This is the question Nikolay should answer for himself.

The year is 1917. We are in the Russian countryside. It is the middle of freezing winter. A pale young, newly educated doctor arrives. Having to deal with one medical challenge after another he soon becomes the center of everyone's attention. To soothe the impressions of human suffering he turns to morphine.

Sex, alcohol and violence define the people of a city in defeat in this downbeat drama from writer and director Katya Shagalova. As a teenager, Nastia (Yulia Peresild) was the star of a popular television series, but now her career is in decline and her father, an officer in the Russian army, has kicked her out of the house.

The first Russian emo-movie, Closed Spaces is a story about the newest generation of Russians. Having grown up in Russia's crazy 1990s, an era filled with constant and drastic change, these teenagers have no solid ground beneath their feet. They are trapped in a strange world in which their money-obsessed parents lead senseless lives and even kill each other. Vika is twenty years old. She has black fingernail polish, wears pink dresses, and is constantly depressed. While working at a pizza place, she gets an order for a pizza delivery from Venya, a strange twenty year old boy who lives all alone in a deserted apartment in the middle of Moscow. Venya suffers from agarophobia, the fear of open space. When Vika arrives Venya lets her in and locks the door behind her.

페레스트로이카 이전 시대를 배경으로 한 잔인한 스릴러물. 광적인 경찰관과 그의 어머니, 지역 공산당 지도자와 그의 딸, 그리고 레닌스크의 여러 사람들을 이야기를 다루고 있다. 발라바노프는 구소련의 죽어가는 '몸체'를 그려내면서 최근 일어나고 있는 소비에트에 대한 향수에 대해 항변한다. 작은 뉴스기사 하나가 부식 되어가는 이 시기를 반추하는데 영감을 제공했다. 지역 공산당 지도자의 딸이 디스코 클럽을 떠난 이후 흔적도 없이 사라지고 잔인한 살인사건이 마을 변두리에서 일어나게 된다. 두 가지 중요한 사건들을 해결해야만 하는 광적인 한 경찰이 자신만의 법으로 기이한 사건을 만들어가게 되는데... 80년대의 소비에트 러시아에 관한 극단적인 사실주의 스릴러.