Writer
Set in a provincial city that has been quarantined to prevent the spread of infection after a zombie outbreak, this human drama depicts the new daily life of a high school girl who remains in the quarantine area to take care of her family who have become zombies. (machine translation)
Director
Set in a provincial city that has been quarantined to prevent the spread of infection after a zombie outbreak, this human drama depicts the new daily life of a high school girl who remains in the quarantine area to take care of her family who have become zombies. (machine translation)
Director
일란성 쌍둥이 남매인 소라(이태경)과 카이(이태경)는 일본인 아버지와 한국인 어머니 사이에서 태어났다.현재는 일러스트레이터로서 상하이에서 사는 소라는 출판사에서 일하는 모치즈키(아베 지카라)와 만나 서로 타향에서 사는 사람들끼리, 둘의 관계는 친밀한 것으로 발전해 나갈 예감을 간직하고 있었다.그러던 중 성전환 수술을 받고 여성으로 이름을 '카이'에서 '우미'로 바꾼 쌍둥이 동생이 소라를 찾아온다.
Script
일란성 쌍둥이 남매인 소라(이태경)과 카이(이태경)는 일본인 아버지와 한국인 어머니 사이에서 태어났다.현재는 일러스트레이터로서 상하이에서 사는 소라는 출판사에서 일하는 모치즈키(아베 지카라)와 만나 서로 타향에서 사는 사람들끼리, 둘의 관계는 친밀한 것으로 발전해 나갈 예감을 간직하고 있었다.그러던 중 성전환 수술을 받고 여성으로 이름을 '카이'에서 '우미'로 바꾼 쌍둥이 동생이 소라를 찾아온다.
Director
Hana, Tsuki and Yume are identical triplet sisters. Living apart from each other, they are brought back together when Yume falls into a coma. Tsuki gives up all to stay by her sister’s hospital bed. Hana arrives for the expressed purpose of working out what to do with Yume, who no longer has any chance of recovery. Instead, the three have a most unusual conversation.
Director
A man, living in a humble apartment with his young wife, accidentally pushes her and kills her. The guy is panic-stricken, and first he tries to hide the body, putting it in the trunk of his car, then he realizes she's "some way" alive (a "living dead" form of life), and she even helps him to kill a cop... or is it just his sick imagination?
Writer
Meet L'ILYA, a young video artist who documents peoples' suicides and projects their final moments out of context in trendy clubs. Due to the film being a "moyen metrage" (or "medium-length feature," meaning, as the name implies, a film whose running time is too long to be classified as a short yet too short to be presented as a feature), L'ILYA has had enormous difficulty getting seen, even on the festival circuit. It has nonetheless left scars wherever shown. This film will haunt your memory long after the obituaries fade.
Director
Meet L'ILYA, a young video artist who documents peoples' suicides and projects their final moments out of context in trendy clubs. Due to the film being a "moyen metrage" (or "medium-length feature," meaning, as the name implies, a film whose running time is too long to be classified as a short yet too short to be presented as a feature), L'ILYA has had enormous difficulty getting seen, even on the festival circuit. It has nonetheless left scars wherever shown. This film will haunt your memory long after the obituaries fade.
Director
A soldier, swaddled in body armor, guards the border of his country. This is not an area of tension; nothing warlike happens here; all that comes from across the border over in the enemy land are radio waves carrying the speeches of its leader, Marehito played by Hideyo Amamoto (Yojimbo, Kamen Rider). The soldier's only duty is to monitor these speeches, and he is sick to the teeth of the dictator's raving. In his quarters is a female android, a 'comfort woman' issued him by the government. He lives quietly with his green-eyed ILYA Type 6, and is responsible for his desert border area. That is the whole of this soldier's life. One day a military official pays a call on his quarters. There has been a shuffle of personnel in the high echelons, and a slight change in policy has been made. The ILYA Type 6 is to be upgraded.
