Oded Binnun

참여 작품

할아버지의 미소
Director
스코틀랜드인 로리는 암 치료를 받기 위해 아들이 있는 샌프란시스코로 간다. 어색하고 냉랭한 아버지와 아들의 관계는 아기 손주로 인해 조금씩 변해간다.
Aya
Director of Photography
When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.
Aya
Screenplay
When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.
Aya
Director
When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.
Lost Paradise
Director
A man and a woman are tenderly making love in a one star hotel room. A moment later when they are both dressed up, the idyll that seamed authentic is now gone. A modern look at the story of Adam and Eve.
The Substitute
Screenplay
Zohara has been waiting to go home ever since she was first stationed at a distant military base, but when the day arrives her hopes evaporate. The soldier sent to replace her appears to be suicidal. Instead of leaving, Zohara is ordered to guard the new girl.
Tuesday's Women
Director
Tuesday’s Women adapts a short story by Japanese novelist Haruki Murakami about a man already in turmoil who finds himself further mystified by a number of women he meets one Tuesday.