Yasuo Tsuruhashi

참여 작품

벼룩 잡는 사무라이
Screenplay
어엿한 사무라이였던 고바야시는 사고를 치고 고양이 벼룩을 잡는 사무라이가 된다. 하지만 실제로 해야 하는 일은 남창이다. 게다가 섹스를 못한다는 조롱을 받자, 사무라이의 자존심을 걸고 최고의 벼룩 잡는 사무라이가 되기 위해 그야말로 온 몸을 바친다.
벼룩 잡는 사무라이
Director
어엿한 사무라이였던 고바야시는 사고를 치고 고양이 벼룩을 잡는 사무라이가 된다. 하지만 실제로 해야 하는 일은 남창이다. 게다가 섹스를 못한다는 조롱을 받자, 사무라이의 자존심을 걸고 최고의 벼룩 잡는 사무라이가 되기 위해 그야말로 온 몸을 바친다.
후처업의 여자
Director
Kozo Nakase attends meetings for single widowers looking to remarry. He meets Sayoko Takeuchi and eventually marries her. Not longer after their marriage, Kozo Nakase suddenly collapses and dies. Kozo Nakase leaves everything to Sayako. The rest of his family are left out of his will including his daughter Tomomi. Tomomi hires a private investigator, Honda, to find out more about Sayoko.
언덕길의 집
Director
Rieko Sugita, a young and beautiful hairdresser who happens to visit a bedding shop owned by Yoshitaro (Emoto) and the latter becomes so besotted with her that they begin an affair without his wife's knowledge. On the other hand, Rieko hates her late mother (Fueki Yuko) for sleeping around with other men but is actually following in her footsteps by sleeping with men for money. One day, she reunites with her first love Naoki (Ozawa) who has become an assistant professor and shares a dark secret with her. Soon, the romance between them is rekindled. However, Yoshitaro who has lost his fortune and is about to lose Rieko, becomes consumed by jealousy which brings Rieko, Naoki and him to the point of no return. -- Dorama World
Akujo ni Tsuite
Director
Erika Sawajiri plays Kimiko, the main character of the story who has died. Although the title implies that it is a story of a “wicked woman,” the original novel was divided into 27 chapters, one for each “testimony” by someone who knew Kimiko at some point in her life, providing a range of perspectives on what kind of person Kimiko was. ~~ Adapted from 1978 novel series "Akujou ni Tsuite" by Ariyoshi Sawako.
겐지 이야기: 천년의 수수께끼
Director
"Genji Monogatari" focuses on the love and hate relationships surrounding Genji Hakaru. Lady Fujitsubo is Genji's first love. Ryokuzono Miyasutokoro is obsessed with Genji and eventually becomes a spirit. Yu Kao, who is from the lower class, give comfort to Genji's emotional wounds. Writer Murasaki Shikibu is jealous of Genji and is eventually ordered by Seime Abe to write a work ...
High and Low
Screenplay
At a crucial point in his business life, executive Gondo learns that his son has been kidnapped and that the ransom demanded is near the amount Gondo has raised for a critical business deal. Gondo is prepared to pay the ransom - that is, until he learns that the kidnappers have mistakenly abducted not Gondo's son, but the child of Gondo's chauffeur. Now Gondo must decide whether the other man's child is equally worth saving.
High and Low
Director
At a crucial point in his business life, executive Gondo learns that his son has been kidnapped and that the ransom demanded is near the amount Gondo has raised for a critical business deal. Gondo is prepared to pay the ransom - that is, until he learns that the kidnappers have mistakenly abducted not Gondo's son, but the child of Gondo's chauffeur. Now Gondo must decide whether the other man's child is equally worth saving.
Love Never to End
Screenplay
He is Kikuji Murao (Etsushi Toyokawa), a former best-selling novelist who has had a decade-long dry spell that has reduced him to university teaching and magazine hackery. After divorcing his wife (Reiko Takashima) and leaving behind his teenage daughter (Shihori Kanjiya), he meets Fuyuka Irie (Shinobu Terajima), a housewife and mother of three who is a longtime fan.
Love Never to End
Director
He is Kikuji Murao (Etsushi Toyokawa), a former best-selling novelist who has had a decade-long dry spell that has reduced him to university teaching and magazine hackery. After divorcing his wife (Reiko Takashima) and leaving behind his teenage daughter (Shihori Kanjiya), he meets Fuyuka Irie (Shinobu Terajima), a housewife and mother of three who is a longtime fan.