Andrzej Haliński

The story of the investigation to unravel the mysterious death of a beautiful young woman in Nazi-occupied Warsaw. She is not Krystyna Holzer, as stated in her kennkarte (German-issued identity document), but a Jewess kept hidden by a Pole - a polonized Saxon - attorney Karol Karlzer. Before the outbreak of war, the woman was his student as well as the object of his unrequited love. The case is assigned to Detective Chief Inspector Rafal Król, an officer of the so- -called Blue Police under the control of the German occupiers, but also a soldier of the Polish underground, sworn to execute his orders. It is a suspenseful story set in the faithfully-recreated reality of occupied Warsaw and Zakopane.

A little known episode from the life of Stalinist security police office Julia Brystiger. Her nickname Bloody Luna was a reference to her incredibly brutal methods of interrogation. In the early 1960s, she appears in a centre for the blind on the outskirts of Warsaw, a place often visited by Cardinal Wyszyński, whose imprisonment in 1953-1956 Brystiger supervised personally. During a difficult and heated discussion with the cardinal, Brystiger denounces the communist ideology and begs for forgiveness for her crimes and for guidance in her search for God.

This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.

세계 역사상 가장 중요한 군사적 대립 중의 하나를 그린 방대하고 역사적인 벽화, <1920년 바르샤바 전투>는 두 명의 평범한 인간이 투쟁에 휘말리는 서사시적 이야기다. 이야기가 펼쳐지는 시간을 따라 극단적인 사건들이 역사와 삶의 변화를 드러낸다. (2011년 16회 부산국제영화제)

Majka is young, beautiful and intelligent. It is time for her to learn and work, she has wonderful friends. But unfortunately she can't forget Cezary, who had abandoned her a year ago. So Majka's best friend decides to help her to start a new life.

There is a writer who in the late 1970s managed to publish a poem in the monthly "Nowy Wyraz". It was enough to become a self-confessed writer whose name began to appear in the state media. The writer takes full advantage of his privileges - he flirts with power, sympathizes with the opposition, and collapses his studies at the same time. He is saved from going to the army by an exalted essayist whose sister is the head of the psychiatric hospital in Tworki. In a psychiatric institution, a writer meets a schizophrenic who writes a novel. After his suicide, the protagonist takes over the draft, which he publishes outside of censorship under his name, thanks to which he gains fame, fame and money. August '80 breaks out....

소련군이 베를린을 침공했던 1945년 여성들은 강간과 폭력의 희생양이었다. 그 중에 한 명이 전직 언론인이자 사진작가(니나 호스)였다. 절망한 그녀는 자신을 보호해줄 수 있는 사람을 찾기로 결심하고, 소련군 지휘관인 안드레이(에브게니 시디킨)을 만난다. 이 만남은 복잡하고 상징적인 관계로 발전하게 되고, 씁쓸한 결론에 이르기까지 두 사람을 계속적으로 남게 한다. 1950년 작가 미상으로 출간되었던 동명의 소설을 원작으로 만들어진 영화로 1945년 소련군이 베를린을 점령했던 시기의 베를린의 모습을 담고 있다.

The programme is based on 'The Secret History of the Mongols', a manuscript written in the 13th century, some believe by the adopted son of the great Khan.

한때 비밀 요원이었던 윌리엄은 과거를 청산하고 산속에서 조용히 살고 있다. 그의 소일거리는 폴란드의 고아원에서 지내는 소녀 이레나와 편지를 주고받는 것. 그러던 어느 날, 그는 고아원장으로부터 이레나가 더 이상 편지를 할 수 없다는 통보를 받는다. 뭔가 수상하다는 생각에 윌리엄은 폴란드로 건너가고, 고아원이 인신매매단과 결탁하여 소녀들을 팔아넘긴다는 사실을 알게 되는데...

In IX century Europe, on the brink of Poland's birth, a cruel prince, Popiel, murders his cousins to ensure his son's succession. His crimes lead to an uprising of his subjects lead by the former commander of Popiel's army, Piastun, and a young hunter and warrior, Ziemowit. Meanwhile Ziemowit falls in love with Dziwa, lovely girl who is to become a priestess in the local temple ...

In the mid-17th century, Poland was the largest, most democratic, and most tolerant country in Europe. However, a tragic civil war brought about the gradual decline of the once glorious republic...

When a fellow Vietnam veteran is alleged to have thrown his lot in with the cocaine cartels, special commando Paul Gleason is dispatched to Nicaragua to sort out the mess.

Mark Cahill is a good family man with a loving wife and two wonderful children. Mark also happens to be a hit man who is haunted by his last victim, a blonde, who keeps appearing in his bedroom at the worst of times. His life becomes even more complicated when he becomes caught up in the schemes of two business partners, one of the partner's spouse and her boyfriend(s).

A feminine take on a Cassavetes drama, the film focuses on a group of women who have gathered for a surprise baby shower. However, as the female guests arrive (the household males having adjourned to an afternoon football game), the off-screen mother-to-be goes into premature labour, leaving the bored invitees to sip spiked punch and discuss the dearth of available men until the drunken boys return home, thus setting the stage for male/female confrontations, confessions and clumsy acts of copulation-notably while standing under a shower. An exploration of the contemporary trappings of male/female sexual politics.

A feminine take on a Cassavetes drama, the film focuses on a group of women who have gathered for a surprise baby shower. However, as the female guests arrive (the household males having adjourned to an afternoon football game), the off-screen mother-to-be goes into premature labour, leaving the bored invitees to sip spiked punch and discuss the dearth of available men until the drunken boys return home, thus setting the stage for male/female confrontations, confessions and clumsy acts of copulation-notably while standing under a shower. An exploration of the contemporary trappings of male/female sexual politics.

A young journalist is arrested for freethinking ideas. Goes into the cell with the famous safe-breaker and religious Szpicbródką Sixtus, a murderer husband of his mistress.

Ewa decides to end her romance with Alek. From the mountain guesthouse they go by car to Warsaw. . . Kim, after being released early from prison, returns to his wife, Jola, who lives in a lonely house. Here he finds a man who claims he has been hired for hard work. Kim wants to find out if Mietek is not Jola's lover.

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.

Film opens on December 18, 1999, just a few days before the dawn of the new century. A local reporter, Iron Idem, announces that the Martians have landed. Shortly after that his program loses its independence: he is given the script telling the crowds how to welcome the invaders.

Zofia is an elderly woman living in an retirement home. Separate from the rest, she talks seldom and then only about visiting her daughter's family for Christmas. When she comes to her daughter's home unannounced, her stay is spoiled by the damage to her son-in-law doctorate bookmarks which she removed unknowingly during dusting. She then spends Christmas in an empty restaurant, surrounded by waiters and musicians waiting to be tipped.

Zofia is an elderly woman living in an retirement home. Separate from the rest, she talks seldom and then only about visiting her daughter's family for Christmas. When she comes to her daughter's home unannounced, her stay is spoiled by the damage to her son-in-law doctorate bookmarks which she removed unknowingly during dusting. She then spends Christmas in an empty restaurant, surrounded by waiters and musicians waiting to be tipped.

안제이 바이다 감독의 약속의 땅은 특정 시대, 특정 장소의 폴란드에 대한 다층적인 탐구를 담은 찰스 디킨스풍의 묘사가 두드러진 영화다. 19세기 말 우츠 시는 유럽 섬유 산업의 중심지로, 전세계에서 가장 큰 유대인 집단이 장악하고 있었다. 이곳은 수천 명에 달하는 실업가들의 탐욕을 채워줄 무한한 기회가 제공되는 초기 자본주의자들의 땅이다. 안제이 바이다 감독은 의욕에 찬 세 명의 친구들에 초점을 맞춰 이야기를 전개하지만 동시에 수많은 인물들에 대한 세밀한 관찰도 놓치지 않는다. 사회 내부에서의 계급 갈등, 인간의 어두운 면, 자본주의 체제의 본질 등에 대한 완벽한 묘사가 눈에 띄는 작품이다. (2012년 제17회 부산국제영화제)

주인공이 긴 기차 여행을 한 후에 도착한 요양원은 조그만 다리와 검은 숲을 통과한 곳에 위치하며 검은 개들이 출몰한다. 요양원 마을에서 시간은 제멋대로 흘러간다. 사람들은 죽음과도 같은 잠에 빠져들어 몇 시간, 혹은 며칠씩을 듬성듬성 잃어버린다. 주인공은 마을에서 도망쳐 나오지만, 이미 모래시계 속에 갇혀버린 듯, 그에게 탈출구는 없다.