Pedro Moreira

Portugal, Brazil and Cape Verde. Countries linked by the sea and the culture of nostalgia. The film travels across three continents and finds characters marked by absences produced by events that transform the history of these countries. Like fascism, colonization, slavery, dictatorships and leaving never to return. The culture of saudade is the thread that connects conversations by the sea.

A man from a village in the interior of portugal is back to visit the family that is left. But the true reasons for his return are not clear.

Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.

Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.

A group of young people is in a bar to drink, and they are trying to choose a story for the movie they are decided to make, but their characters are not very satisfied with the results of it.

The story of the most famous sound technician in cinema and television in Brazil, known as the "noise-man".